Silent Dust – Listen To The Night: Inside the album

“No? Who am I then?  – A puppet. – And you’re not? Or maybe, you’re my puppet. But like all puppets you think you’re actually human. It’s the puppet’s dream, being human.”

Silent Dust

Silent Dust

Silent Dust is the musical project of Andy Hobbs (Hobzee) and Daniel Blishen (Zyon Base). They have been producing music under their respective solo monikers for more than a decade and made their discography debut as a duo in 2008. Hobzee & Zyon Base forged their unique career path from the prevalent post-liquid drum & bass sound to the outskirts of Autonomic with releases on some of the genre’s renowned labels including SGN:LTD, Fokuz, Influenza Media and Samurai Music (‘1000 Paper Cranes’ is a firm favourite), which garnered wide support and praise by the genre’s most prolific djs and taste-makers.

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On The Outside, Looking In Vol. 1: Sicknote x Soul Beat Runner

Most of the blog’s features are thematically based on informal conversations with my guests. Although I often include verbatim excerpts, it’s been a long time since I posted an actual interview. This is the first installment of a new category introduced to replace one of the blog’s oldest series “Jump The Q”, which has unceremoniously completed its cycle. The “Jump The Q” questionnaire template was designed to be short and simple rather than thought-provoking; the general idea being to discover a few personal details about artists and djs (from their favourite drink to the worst live performance they’ve witnessed), whose music-related work I admire and respect.

The new category titled “On The Outside, Looking In” will encompass a broad and conceptual music-centered scope. The timeline is intentionally non-linear, jumping back and forth in times and places and the head-title is borrowed from the first Modern Urban Jazz release by Glider-State (Blame & Justice); a casual chat between friends and a retrospective sneak view into old photo albums, collections, musical diaries, hazy memories and internal monologues.

Sicknote x SBR

Sicknote x Soul Beat Runner

The new series kicks off with two guests, who share common musical taste, vision and aesthetics, dating back to the early days of drum & bass. Really intrigued to find out more about their views, perspective and insight, I am very happy to present Lewis ‘Sicknote’ and Michael ‘Soul Beat Runner’ (SBR) discussing all things music.

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Count To Ten: Drum & Bass Illustrations and Record Artwork (part 2)

What the sleeve notes never tell you

Mosaic

It’s been 16 months since the original post , which was meant to be a one-off feature; however I always felt that it’s been somehow incomplete. The constructive feedback I received, occasionally bordering on debate over a matter de facto subjective, convinced me to revisit the topic; paraphrasing Nick Hornby “a sneer at the bad choices, an understated but supportive raise of the eyebrow for the good ones”. So, instead of updating the list, I decided to compile a new one containing record artwork I had intentionally omitted for a variety of reasons, as well as couple of recent entries.

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Tracks I Wish I’d Written (issue #10): Ulrich Schnauss & ASC – 77

from Kiel and Berlin to London and San Diego, cool has been re-imagined

“… ‘77’ seems a piece that has a rather elegant flow, something I always appreciated about d&b very much. Although this might not be a d&b release from a ‘genre-stalinist’ perspective, I’d still argue that it at least attempts to relate to that kind of aesthetic …” – Ulrich Schnauss

ASC & Ulrich Studio Pic

James Clements and Ulrich Schnauss in their studios

Leaping in time from the nostalgically distant 1994 and Foul Play to 2012 for the 10th installment of the ‘Tracks I Wish I’d Written’ series. It’s been a rare occasion that two of my all-time favourite electronic music artists have combined their studio wizardry for an exquisite collaboration, which succinctly encapsulates their cinematic aesthetics. Having a visionary and eclectic scope, sophisticated production and composition qualities, as well as enviable back catalogues transcending genres and styles, James Clements and Ulrich Schnauss are purveyors of fine electronic music.

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Wandering around invisible cities

GodIsNoLongeraDj cameo appearance for Vykhod Sily Podcast

VS Podcast poster

Podcast Poster

Vykhod Sily (loosely translated into ‘The way the force is coming through’) is a podcast series launched and curated by DJ Rustee (from the Special Request Crew, based in Yekaterinburg, Russia) in 2013. Profoundly influenced by the Autonomic movement and modern electronica, the musical canvas covers a wide range of the d&b spectrum; from minimal half-tempo and all things 170BPM to 90’s influenced jungle.

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Tracks I Wish I’d Written (issue #8): Instra:mental – Photograph

“… the track had a very heavy nostalgic feeling to it, like you were looking at an old photo album with the faded film of childhood memories, simpler times. We are both massive fans of video and with ‘Photograph’ it’s like we envisioned it to be scene of a film …” – Damon Kirkham reflects on the track’s conception

“… ‘Photograph’ takes the deep, emotive route of previous releases ‘Pacific Heights’ and ‘Sakura’ into the most beatific, blissful and evocative music they have yet conspired to create… in short, a modern masterpiece” – Triple Vision Distribution, Press Release, May 2009

Instramental

Instra:mental

Leaving the mid-90s drum & bass golden era and fast forward to 2009, the 8th installment of the blog’s ‘Tracks I Wish I’d Written’ series is about a distinctive and quintessential track of the ‘Autonomic’ era, written and produced by Instra:mental, the masters of electronic reverie. Introducing a wide palette of sound sources and analogue production techniques, profoundly influenced by a variety of musical styles from years past, Instra:mental re-imagined the drum & bass blueprint, applying a cinematic vision with a cross-genre appeal to their production output.

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Short Trips (down memory lane)

“Modern, cinematic takes on ambient electronica and vintage aesthetics, sprinkled with bitter-sweet nostalgia”

short-trips-logo-2

Short Trips logo

In the dawn of the 90s emerged a new musical hybrid, fusing various elements and structural forms of electronic music, relying upon composition, experimentation and innovation rather than adhering to formulaic standards associated with specific genres and styles. Free from dance-floor reactions and limitations, championed by electronic music luminaries, the new style was regarded just as suitable for dancing as for home listening. A plethora of generic, as well as imaginative terms were conceived to outline the genre. Continue reading