Tracks I Wish I’d Written (issue #7): UB40 – Until My Dying Day (Icons remix)

Until My Dying Day was a tune UB40 had written, which was touted to be the theme for the latest Bond film at the time (GoldenEye) …”

UB40 - Until My Dying Day (Icons remix)

Until My Dying Day (Icons remix)

By the first half of the 90s, UB40’s constant touring had taken its toll and the band was ready for a well-earned rest. During their sabbatical, several of the band’s members worked on their own musical projects. Earl Falconer, the group’s bassist, would follow his passion outside UB40, engaging into jungle/drum and bass production and promotion activities with remarkable success.

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Whatever happened to … Precious Material?

“… At Basement Records we also wanted the artists to sample as little as possible, to create pioneering and original material, hence the label title ‘Precious Material’. Some of the releases are produced in the studio and some are recorded live performances…”- Phil Wells reflects on the label’s ethos and purpose

Precious Material

Precious Material

After a long hiatus, the blog’s “Whatever happened to …?” series return with the 9th installment. This time into the limelight is Precious Material; one of the most exhilarating and pioneering drum & bass labels of the mid-90s. Though short-lived, Precious Material has been one of the finest outlets of experimental drum and bass, integrating elements from various musical genres into the drum & bass template, defying stereotypes, constraints and agendas.

Established by Phil Wells in 1994 as a Basement Records’ subsidiary, during a time when drum & bass was still in its infancy, the main driver had been to foster a creative environment for established, as well as up-and-coming artists, free from dance-floor reactions and limitations. Following the huge success of the parent label Basement Records during the early rave years and the jungle/drum & bass evolution, Phil’s aspiration and incentive had always been to spearhead a new musical direction and introduce drum & bass to wider audiences.

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Tune Of The Day #2 – Review for drumtrip.co.uk

UB40 - Until My Dying Day (Icons remix)

UB40 – Until My Dying Day (Icons remix)

UB40 – Until My Dying Day (Icons remix) – Dep International (DEPDJX4512, 1996)

This is my second contribution to the oldschool specialist blog Drumtrip; a review and the background story behind the classic Icons remix of UB40‘s Until My Dying Day.  You can view the original post, as well the previous installments of the TOTD series here:

By the first half of the 90s, UB40’s constant touring had taken its toll and the band was ready for a well-earned rest. During their sabbatical, several of the band’s members worked on their own musical projects. Earl Falconer, the group’s bassist, would follow his passion outside UB40, engaging in jungle/drum and bass production and promotion activities with remarkable success.

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Whatever happened to … Foul Play?

Foul Play

Foul Play

Intro:

The seventh installment of the “Whatever happened to …?” series is dedicated to Foul Play; a pioneering, genre-defining and innovative electronic music act, heralding the transition from hardcore breakbeat to jungle/drum and bass. Being active almost throughout the 90s (the band’s synthesis changed twice during its activity, due to unforeseen circumstances) constantly re-inventing themselves, with dexterous, second-to-none programming and sample manipulation, their illustrious productions have marked indelibly the UK underground music map.

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