“… I can’t understand those musicians who make the most beautiful music, but show little care or attention for the visual side. It’s like stuffing a Rembrandt painting inside a £5 plastic frame from IKEA …”
36 – Fade To Grey
The ‘Tracks I Wish I’d Written’ series is perhaps the most personal, preferential and esoteric category of the blog. The title is self-explanatory and the concept straightforward. I hand-pick records from my collection – records I am fondly attached with and I wish my name was credited on the sleeve – and present them emphasizing on the background stories, the imagery and the messages the music conveys.
When I started the series, I had in mind a set of restrictions, a self-imposed dogma in order to confine the scope. The blog is mainly d&b-oriented, as is my record collection, so intuitively all previous instalments featured drum & tracks, or to be more precise tracks loosely or directly related to the drum & bass template and aesthetic. The concept has been captured eloquently by Ulrich Schnauss in the opening line of the 10th edition of the series:
‘77’ seems a piece that has a rather elegant flow, something I always appreciated about d&b very much. Although this might not be a d&b release from a ‘genre-stalinist’ perspective, I’d still argue that it at least attempts to relate to that kind of aesthetic…
What the sleeve notes never tell you
It’s been 16 months since the original post , which was meant to be a one-off feature; however I always felt that it’s been somehow incomplete. The constructive feedback I received, occasionally bordering on debate over a matter de facto subjective, convinced me to revisit the topic; paraphrasing Nick Hornby “a sneer at the bad choices, an understated but supportive raise of the eyebrow for the good ones”. So, instead of updating the list, I decided to compile a new one containing record artwork I had intentionally omitted for a variety of reasons, as well as couple of recent entries.
“… it would be true to say the labels would not be where they are without Scott’s invaluable vision, design and input” – Tony ‘Justice’ Bowes
Despite having a soft spot for bespoke artwork design and illustration, it has taken me an embarrassingly long time to adopt a decent site icon and logo for the blog and my social media accounts. After almost six years of blogging and some hopeless scribbling on photo editors, I eventually decided to add a touch of art and aesthetics; a logo that would reflect the blog’s vision and output. For that purpose, the graphic studio Metro Design has delivered brilliant brand-new icons and logo. A complete retouche of the site though is a project for another day. The rather incomprehensible head title is the result of a stream of consciousness, paraphrasing a song written by Tricky (original title ‘Brand New You’re Retro’, featuring on his ‘Pumpkin’ EP, released on Island Records’ offshoot 4th & Broadway, 1995), which in all honesty caught my attention due to Alex Reece’s remix.
Metro Design is the new venture of Scott London, the electronic music producer known as Metro. Continue reading