Happy New Year everybody! For the first post of 2018, I have compiled a continuous playlist with some of my favourite electronic tracks from the last few years; essentially music I’ve been listening to, when I am not listening to drum & bass. Although this is clearly a drum & bass-oriented blog, regular readers must have spotted my affinity for ambient, film scores and modern electronica. I have contemplated the expansion of the blog’s scope quite often, however I eventually decided to publish non-drum & bass content only sporadically for the time being, as it seems impossible to stay up-to-date with more than one electronic music genre in a consistent fashion these days.
“The soundtrack of daydreaming, adding widescreen vistas and deep, saturated hues to the monochrome silence”
The playlist selection has been quite diverse. Blurring the lines between composition and improvisation, from spacey ambience and dystopian interludes, to avant-garde electronica and contemporary classical music, the common denominator encompasses musicality, sound aesthetics and subtle emotional gravity. Continue reading
“Electronic music is art, not just entertainment” – Simon Viehoff, Nord Label founder
Nord Label is a small independent electronic music record label, based in Berlin, Germany. The brainchild of Simon Viehoff (aka Lebowski), resident dj and co-founder of the Impulse bass culture project, Nord has been established as a genre-defiant creative platform to cater for experimental music across the spectrum; from ambient electronica and drone to techno and drum & bass, oscillating effortlessly between the abstract and the complex. The idea had been conceived and scrutinized for a couple of years before it eventually materialized in 2014, when Simon was presented with two tracks by old friend and Berlin-based producer Ill_K.
“Modern, cinematic takes on ambient electronica and vintage aesthetics, sprinkled with bitter-sweet nostalgia”
Short Trips logo
In the dawn of the 90s emerged a new musical hybrid, fusing various elements and structural forms of electronic music, relying upon composition, experimentation and innovation rather than adhering to formulaic standards associated with specific genres and styles. Free from dance-floor reactions and limitations, championed by electronic music luminaries, the new style was regarded just as suitable for dancing as for home listening. A plethora of generic, as well as imaginative terms were conceived to outline the genre. Continue reading