Wandering around invisible cities

GodIsNoLongeraDj cameo appearance for Vykhod Sily Podcast

VS Podcast poster

Podcast Poster

Vykhod Sily (loosely translated into ‘The way the force is coming through’) is a podcast series launched and curated by DJ Rustee (from the Special Request Crew, based in Yekaterinburg, Russia) in 2013. Profoundly influenced by the Autonomic movement and modern electronica, the musical canvas covers a wide range of the d&b spectrum; from minimal half-tempo and all things 170BPM to 90’s influenced jungle.

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“What came first, the music or the obsession?” – Part 2

“We’re suddenly in a period when it’s de rigueur to buy records” – Alan Scholefield, Honest Jon’s Records, London

… but those clerks are still there, still sneering at your bad choices, offering you an understated but supportive raise of the eyebrow for your good ones.” – Nick Hornby, writer

“There was always interesting music playing, but I was too timid to actually buy a record, you know, in case I bought the wrong record” – Damon Albarn, musician, singer-songwriter

Chapter 2: Record Stores

At different times in my life, I have daydreamt about owning a record store. These days however, running one seems like a first class ticket to financial disaster. Apart from the obvious incentives, including satisfaction of my vanity and intimidation of unsuspected customers (Jack Black’s portrayal of an erratic assistant in “High Fidelity” has brilliantly set the bar too high), I have very fond childhood memories from my casual visits with my dad to the local record stores in the late 80s. I still remember a particular owner slipping mix-tapes in the bag for my school parties (an early form of piracy I guess, but this is for another chapter). I was exposed at a very young age to various musical genres, which I regrettably snubbed or simply ignored, due to immaturity and stubbornness. Very late at the party, but after a long time I gradually started to appreciate and embrace various genres and styles.

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Tune Of The Day #3 – Review for drumtrip.co.uk

T.Power – Prospect For Democracy – S.O.U.R. (SOUR029/TPOW001R, 1995)

T.Power – Prospect For Democracy

This is my third contribution to the oldschool specialist blog Drumtrip; a review and the background story behind the track Prospect For Democracy by T.Power. You can view the original post, as well the previous installments of the TOTD series here:

In 1992, Dave Stone and Norton Blue, owners of the Trinity Studios in London, set up the UK hardcore label Dj Only Records, renamed a year later to the Sound Of The Underground Records (SOUR); one of the most influential collectives of the mid-90s jungle/drum and bass scene. The first signing of the label was the breakbeat hardcore outfit Bass Selective (Royal, Samuel, Hay, Clarke and Elizabeth Troy on vocal duties). Bass Selective went on to record four EPs; the highlight of their outputs being the piano-driven anthem Blow Out part 2.

Bass Selective disbanded in 1993 and one of the founding members, Marc Sebastian Royal emerged with the recording alias T.Power. He was readily signed as a solo artist by SOUR; a flying start for an illustrious and prolific recording career. It was only two years later however, that he would create serious waves in the drum and bass proceedings.

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Law (drumtrip.co.uk) Jumps The Q

A mini-interview with 22 short questions (some personal, some tricky) looking for equally short answers, addressed to artists, producers, promoters, djs, friends and affiliates of the blog in general.

The next international guest featuring in the Jump The Q series of the blog is Dj Law; an old school specialist, the mastermind and curator of drumtrip.co.uk, sharing some personal trivia with the blog. A short bio, information about Drumtrip and respective links can be found below the Q&A.

Drumtrip

Drumtrip

Law Jumps The Q

Let’s get started:

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Whatever happened to … Foul Play?

Foul Play

Foul Play

Intro:

The seventh installment of the “Whatever happened to …?” series is dedicated to Foul Play; a pioneering, genre-defining and innovative electronic music act, heralding the transition from hardcore breakbeat to jungle/drum and bass. Being active almost throughout the 90s (the band’s synthesis changed twice during its activity, due to unforeseen circumstances) constantly re-inventing themselves, with dexterous, second-to-none programming and sample manipulation, their illustrious productions have marked indelibly the UK underground music map.

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Harris (Funxion, I Got Bass) Jumps the Q

A mini-interview with 22 short questions (some personal, some tricky) looking for equally short answers, addressed to artists, producers, promoters, djs, friends and affiliates of the blog in general.

Today’s guest is one of the original Greek bass soldiers, active for more than two decades in the domestic and international proceedings, sharing some personal trivia with the blog. A short bio and relative links can be found below the Q&A.

 Harris (Funxion, I Got Bass) Jumps the Q
Harris Funxion

Harris Funxion

Let’s get started:

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Whatever happened to … Creative Wax?

The second installment of the series is dedicated to one of the most influential labels of the jungle/drum and bass scene. From the early hardcore days to the second half of the 90s, Creative Wax fostered an enviable stable of producers and artists, releasing a plethora of classics during its activity. The mix-up of Detroit techno influences and later jazz established Creative Wax as one of the most innovative outlets of quality music in the drum and bass scene of the 90’s. The purpose of this article is to shed light on the massive contribution of Creative Wax to the ever-changing drum and bass landscape, having been the point of reference and an indelible influence to the next generation of jungle/dnb artists.

Creative Wax logo

Creative Wax

Creative Wax was founded in 1992 by Ashley Brown aka DJ Pulse (1/3 of Dance Conspiracy and Jazz Cartel) and Jack Horner (Bad Influence). The label roster includes some of the biggest names in engineering and production of that time, collaborating frequently with each other under various monikers. Early releases have been predominantly by label owner Pulse alongside Wax Doctor, with Alex Reece and Professor Stretch (Underwolves) taking care of the engineering duties. The label also had various collaborations by Alex Reece and Wax Doctor under names such as Fallen Angels and Unit 1. Other notable names in the camp were The Underwolves, who went on to record for Ross Allen’s Island Records imprint Blue and Compost Records, Tango, who also recorded with Pulse on the legendary Moving Shadow, Justice another Moving Shadow artist, who now runs his own Modern Urban Jazz label and finally Digital (a well established artist from the Metalheadz and Timeless Recordings collective among others). Continue reading