My friend Ricky Law @ Drumtrip UK, recorded a fine mix paying tribute to one of my all-time favourite artists Hidden Agenda, featuring a plethora of classics, as well as underrated gems like “Get Carter”, “Sirens” and “The Wall With Paintings” remixes.
Biography, discography highlights, reviews and all things Hidden Agenda are available in the blog’s archive here
You may read the original post on Drumtrip here
An older Q&A with Law, from the blog’s archives, is available here
“Ortem is a platform, which will be the home of fresh tracks, overseen by Metro. The emphasis will be stationed around drum and bass and electronic music delivered in all its innovative forms” – taken from the label’s inaugural press release
“A grid usually refers to two or more infinite sets of evenly-spaced parallel lines at particular angles to each other in a plane, or the intersections of such lines”
Metro is the primary recording alias of Scott London. I have been following his production output since day one; from his collaborative work with long-time friend and recording partner Justice for Modern Urban Jazz and its subsidiary Muj for downtempo, breaks and broken beats to his regular appearances on a wide array of affiliated record labels.
“A passion for music that gradually escalated over time into a controlled obsession”
It has been three years since this blog went online, although its conception goes further back, so I eventually decided it’s about time I shared some thoughts about how it all started, as well as provide a retrospective account of the events that influenced the blog’s thematic basis. At the end of the feature, there is a quick walk-through the blog’s various categories/series and a brief background story behind each one of them.
“The music policy – as always with the label – is to be progressive and not be constrained by boundaries or genres” – Tony “Justice” Bowes
The MPOD series is a critically acclaimed podcast series, published by the forward-thinking indie label Modern Urban Jazz (MJAZZ). Featuring a plethora of artists, producers, djs, collaborators, affiliates and friends of MJAZZ, coming from all over the globe, the MPOD installments are characterized by an eclectic cross-genre selection, covering a wide palette of exhilarating and experimental electronic music, abolishing all musical stereotypes.
T.Power – Prospect For Democracy – S.O.U.R. (SOUR029/TPOW001R, 1995)
T.Power – Prospect For Democracy
This is my third contribution to the oldschool specialist blog Drumtrip; a review and the background story behind the track Prospect For Democracy by T.Power. You can view the original post, as well the previous installments of the TOTD series here:
In 1992, Dave Stone and Norton Blue, owners of the Trinity Studios in London, set up the UK hardcore label Dj Only Records, renamed a year later to the Sound Of The Underground Records (SOUR); one of the most influential collectives of the mid-90s jungle/drum and bass scene. The first signing of the label was the breakbeat hardcore outfit Bass Selective (Royal, Samuel, Hay, Clarke and Elizabeth Troy on vocal duties). Bass Selective went on to record four EPs; the highlight of their outputs being the piano-driven anthem Blow Out part 2.
Bass Selective disbanded in 1993 and one of the founding members, Marc Sebastian Royal emerged with the recording alias T.Power. He was readily signed as a solo artist by SOUR; a flying start for an illustrious and prolific recording career. It was only two years later however, that he would create serious waves in the drum and bass proceedings.
Bushidō (武士道), literally “military scholar road”, is a Japanese word for the way of the Samurai life, loosely analogous to the concept of chivalry; a rather modern term than a historical one.
Godisnolongeradj caught up with Geoff Wright (aka DJ Presha and head honcho of the Samurai Music group) in Athens after his gig, to discuss all things Samurai, inspired by the seven main virtues of the “Bushido Code”.