Wandering around invisible cities

GodIsNoLongeraDj cameo appearance for Vykhod Sily Podcast

VS Podcast poster

Podcast Poster

Vykhod Sily (loosely translated into ‘The way the force is coming through’) is a podcast series launched and curated by DJ Rustee (from the Special Request Crew, based in Yekaterinburg, Russia) in 2013. Profoundly influenced by the Autonomic movement and modern electronica, the musical canvas covers a wide range of the d&b spectrum; from minimal half-tempo and all things 170BPM to 90’s influenced jungle.

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All Hidden Agenda mix by Law

My friend Ricky Law @ Drumtrip UK, recorded a fine mix paying tribute to one of my all-time favourite artists Hidden Agenda, featuring a plethora of classics, as well as underrated gems like “Get Carter”, “Sirens” and “The Wall With Paintings” remixes.

Biography, discography highlights, reviews and all things Hidden Agenda are available in the blog’s archive here

You may read the original post on Drumtrip here

An older Q&A with Law, from the blog’s archives, is available here

Metro – The “Ortem” Interview – Athens, January 2016

Ortem is a platform, which will be the home of fresh tracks, overseen by Metro. The emphasis will be stationed around drum and bass and electronic music delivered in all its innovative forms” – taken from the label’s inaugural press release

“A grid usually refers to two or more infinite sets of evenly-spaced parallel lines at particular angles to each other in a plane, or the intersections of such lines”

Ortem 2

Ortem

Metro is the primary recording alias of Scott London. I have been following his production output since day one; from his collaborative work with long-time friend and recording partner Justice for Modern Urban Jazz and its subsidiary Muj for downtempo, breaks and broken beats to his regular appearances on a wide array of affiliated record labels.

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On Reflection: Three Years Of Blogging

“A passion for music that gradually escalated over time into a controlled obsession”

GodIsNoLongerADj

It has been three years since this blog went online, although its conception goes further back, so I eventually decided it’s about time I shared some thoughts about how it all started, as well as provide a retrospective account of the events that influenced the blog’s thematic basis. At the end of the feature, there is a quick walk-through the blog’s various categories/series and a brief background story behind each one of them.

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MJAZZ presents the MPOD series

“The music policy – as always with the label – is to be progressive and not be constrained by boundaries or genres” – Tony “Justice” Bowes

MPOD

MPOD

The MPOD series is a critically acclaimed podcast series, published by the forward-thinking indie label Modern Urban Jazz (MJAZZ). Featuring a plethora of artists, producers, djs, collaborators, affiliates and friends of MJAZZ, coming from all over the globe, the MPOD installments are characterized by an eclectic cross-genre selection, covering a wide palette of exhilarating and experimental electronic music, abolishing all musical stereotypes.

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Cryogenics Interview For “Vykhod Sily” Podcast

specialrequest

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Hello there! Please introduce yourself. Who are you and where are you from?

Hello im Takis aka Cryogenics and im from Athens,Greece!

How long have you been producing?

I was playing around with sounds for many years but more serious the last 6 or 7 years

Where did it all begin for you? What was the main influence on you in terms of drum’n’bass music? What were the very first tunes that stroke you most?

I guess all started back to ’91 when a friend of mine came in my place with a mixtape from a pirate radio station with some hardcore tunes. Well in terms of Drum & Bass/Jungle (and not Hardcore/ Breakbeat) all the early tracks from Goldie,Foul Play,Bay B Kane,Paradox & Dj Trax, Photek, Dj Trace, Dj Krust, Roni Size and the list goes on…But there is a tune that I cant stop listening to it till…

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Tune Of The Day #3 – Review for drumtrip.co.uk

T.Power – Prospect For Democracy – S.O.U.R. (SOUR029/TPOW001R, 1995)

T.Power – Prospect For Democracy

This is my third contribution to the oldschool specialist blog Drumtrip; a review and the background story behind the track Prospect For Democracy by T.Power. You can view the original post, as well the previous installments of the TOTD series here:

In 1992, Dave Stone and Norton Blue, owners of the Trinity Studios in London, set up the UK hardcore label Dj Only Records, renamed a year later to the Sound Of The Underground Records (SOUR); one of the most influential collectives of the mid-90s jungle/drum and bass scene. The first signing of the label was the breakbeat hardcore outfit Bass Selective (Royal, Samuel, Hay, Clarke and Elizabeth Troy on vocal duties). Bass Selective went on to record four EPs; the highlight of their outputs being the piano-driven anthem Blow Out part 2.

Bass Selective disbanded in 1993 and one of the founding members, Marc Sebastian Royal emerged with the recording alias T.Power. He was readily signed as a solo artist by SOUR; a flying start for an illustrious and prolific recording career. It was only two years later however, that he would create serious waves in the drum and bass proceedings.

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