What the sleeve notes never tell you
It’s been 16 months since the original post , which was meant to be a one-off feature; however I always felt that it’s been somehow incomplete. The constructive feedback I received, occasionally bordering on debate over a matter de facto subjective, convinced me to revisit the topic; paraphrasing Nick Hornby “a sneer at the bad choices, an understated but supportive raise of the eyebrow for the good ones”. So, instead of updating the list, I decided to compile a new one containing record artwork I had intentionally omitted for a variety of reasons, as well as couple of recent entries.
Blu Mar Ten Music
“We release music we like made by people we like.”- Blu Mar Ten on the ethos of their label
After experimentation with various electronic music genres, two non-d&b studio albums and a string of drum and bass releases on a wide array of prestigious labels, Blu Mar Ten marked their glorious comeback to familiar musical paths with the establishment of their own imprint Blu Mar Ten Music (BMTM) in 2009. The label was initially set to accomodate for their own material and Blu Mar Ten released two studio albums in the next two years, entitled Natural History and Love Is The Devil respectively. They also commissioned a multi-part remix series to augment both projects, with contributions from established artists across the scene, achieving critical acclaim and remarkable chart success. Continue reading