“Ever get that feeling, when you experience some sort of musical epiphany and strive to memorize the melody and the lyrics of a song you have just listened to, before they‘re lost into the next morning’s haze?”
This month is my blog’s 8th year anniversary and to be honest I’ve never expected to make it this far. It has been a unique opportunity to connect with some of my musical icons, as well as with many like-minded people across the world and celebrate the music we all love. Traditionally, the anniversary features are retrospective accounts and this one will be no exception; another one of my tedious lists, supplemented with a few comments, liner notes and fan facts.
‘Whatever It Takes’ is a phrase I’ve been saying to myself over the last few years, when I despair with manipulative behaviour, in the face of what seems to be happening in the current climate of media/consumer culture; the lengths that people will go to, the things that they will do to get attention or change people’s opinions. Often people will do whatever it takes to get noticed.
Klute – Whatever It Takes (SUICIDELP20)
I firmly believe that if you want to make a statement in music, you write an album and at the moment those statements are as relevant and interesting as ever. There are still artists that invest time and effort working on well-considered, profound narratives and multi-layered album concepts. Some get it right effortlessly, some lose the plot mid-way and others end up with a collection of selected works. It doesn’t matter anyway; the merit of album writing as an art form is to evoke different emotions and interpretations, unveiling beauty and truth in due course. Despite the convenience and luxury of streaming technology, the beauty of music transcends through time or media formats and listeners that are really into music are still paying attention.
Last year, Klute featured on the blog’s ‘Tracks I Wish I’d Written’ series and revealed that his 9th album was already in the making. Fast forward eleven months later and his new LP titled ‘Whatever It Takes’ is finally released tomorrow (October, 25th). A certified album artist with a rare consistency that spans more than two decades, Klute has opted for full-lengths as a platform of artistic expression, although he could get away with releasing a string of singles for pretty much any label he deemed fit. His latest album is a distraction, refuge and personal remedy from the white noise and hysteria of his surroundings and encapsulates the artistic maturity and versatility of an artist that has defied trends, formulas and genre confines. Renowned for his unique talent to instil a multitude of influences in his productions, from his punk/hardcore origins to techno, house and dub, Klute’s broad repertoire abounds with incredibly inspirational music.
“Sacrificing time, energy and money to keep an independent record label afloat in a niche and saturated market is a reality we often ignore or overlook, especially when it comes to investing on the vinyl format. So, I take the opportunity to thank all artists and record labels for gracing this year with their beautiful music and safeguarding the art, the passion and the romance”.
The last blog post of the year is traditionally a retrospective countdown. Though our culture of distraction and minimal attention span seems unrelenting on burying new releases beneath an endless scroll, 2018 has been exceptional for important things like new, fascinating music. From the establishment of new boutique record labels and classic album re-issues, to much-anticipated debuts, spectacular or dramatic comebacks, this year abounded with great music. My penchant for LPs was more than clear in the previous post, however I feel the urge to express it once again: Album writing has always been and still remains an art form. When you want to make a statement in music, you write an album and at the moment those statements are more exciting, varied and relevant than ever before.