“Ever get that feeling, when you experience some sort of musical epiphany and strive to memorize the melody and the lyrics of a song you have just listened to, before they‘re lost into the next morning’s haze?”
This month is my blog’s 8th year anniversary and to be honest I’ve never expected to make it this far. It has been a unique opportunity to connect with some of my musical icons, as well as with many like-minded people across the world and celebrate the music we all love. Traditionally, the anniversary features are retrospective accounts and this one will be no exception; another one of my tedious lists, supplemented with a few comments, liner notes and fan facts.
“ … when I’m creating music, I mostly envision different worlds. Once you stick with astronomy and the mysteries of the universe, there’s no turning back, hence the track titles are all universe-related. I’m all about stargazing, what I imagine is what I create and through the process I’m feeling it. The album title says it all really …”
“The Hidden Worlds” is the debut personal album of the Serbian producer Slobodan Oljaca, known by his recording alias Okee. An inertial and stellar navigation to distant constellations and planets, the album beautifully emulates premium atmospherics, creating a mood of existential uncertainty. Profoundly influenced by vintage science fiction films and the exceptional drum & bass sound of the 90s, “The Hidden Worlds” captures sense and sensibility as grandly as Okees’ musical icons, investing every glacial synth shimmer with a hope even solar wind at the termination shock can’t kill.
What the sleeve notes never tell you
It’s been 16 months since the original post , which was meant to be a one-off feature; however I always felt that it’s been somehow incomplete. The constructive feedback I received, occasionally bordering on debate over a matter de facto subjective, convinced me to revisit the topic; paraphrasing Nick Hornby “a sneer at the bad choices, an understated but supportive raise of the eyebrow for the good ones”. So, instead of updating the list, I decided to compile a new one containing record artwork I had intentionally omitted for a variety of reasons, as well as couple of recent entries.
“What came first, the music or the obsession?”
This coming month is the sixth year anniversary since the blog went officially online. Three years ago I shared some thoughts here about how it all started, a retrospective account of the events that influenced the blog’s thematic basis, as well as a quick walk-through the blog’s various categories/series and a brief background story behind each one of them. A lot has changed since then, so I thought it would be apt to update regular and non-regular readers about the new direction, forthcoming features and what the future holds for this blog. Certain categories have completed their cycle, new have been added and some remain dormant until the right trigger or inspiration comes up.
“… hearing my track loud on a sound system, watching people’s reactions. That’s all you need as a producer. That’s pure approval right there. People loving what you make; it ‘s mission accomplished …”
MI5 – Experience (LSR020)
Throwback to 1995 for the 11th edition of the blog’s ‘Tracks I Wish I’d Written’ series. The artist name might not ring a bell at first glance; however behind this one-off recording guise has been one of the most influential and celebrated drum & bass producers of the mid-90s DJ Crystl. Combining old-school hip-hop breakbeat mechanics with ethereal sci-fi soundscapes, his productions have been paramount to the flourishing of ambient jungle. With a cinematic approach, collating and transcending contradictions – en vogue yet timeless, benign yet sinister, nuanced yet evident – Crystl has envisioned the soundtrack of imaginary film scenes.
“I work for the company. But don’t let that fool you; I’m really an okay guy.”
“A track that has stood the test of time and will still be a classic even if you wake up after a 57-years hypersleep”
‘Hypersleep’ record label
Celebrating the 20th anniversary since the seminal ‘Hypersleep’ first saw the light of day, a track written and produced by Voyager (the primary recording alias of Pete Parsons), the sixth installment of the blog’s “Tracks I Wish I’d Written” series is about the background story behind ‘Hypersleep’. Eloquently narrated in-depth by Parsons himself, an iconic figure of the drum and bass scene and one of the most respected and recognized producers and sound engineers, the story is a nostalgic and colourful account of the series of events that inspired and motivated him to write a timeless classic; a trip down memory lane capturing vividly the atmosphere of the mid-90s drum & bass scene.
“A passion for music that gradually escalated over time into a controlled obsession”
It has been three years since this blog went online, although its conception goes further back, so I eventually decided it’s about time I shared some thoughts about how it all started, as well as provide a retrospective account of the events that influenced the blog’s thematic basis. At the end of the feature, there is a quick walk-through the blog’s various categories/series and a brief background story behind each one of them.
The twelfth installment of the blog’s Count To Ten series is dedicated to a leading figure in the drum and bass proceedings; a prolific artist, a veteran dj with bookings worldwide, a label owner and the undisputed leader of the wave of noir that has swept the scene in the second half of the 90s, Ed Rush.
The fifth installment of the series is dedicated to one of the most influential figures of the jungle/drum and bass scene Pete Parsons aka Voyager. A prolific producer and dexterous engineer, active since the early 90s and throughout the golden era of jungle/drum and bass, Parsons has made an indelible print on the underground dance music map, involved in various projects not pertaining only to drum and bass. The purpose of this article is to shed light on Parsons’ invaluable contribution to the evolution and transition of breakbeat/hardcore to ambient jungle and drum and bass.