“Back then, you might hear an incredible new tune played exclusively on a plate by a DJ like Bukem or Fabio and you’d have to wait for months before you could get it on vinyl. That was part of the magic of the scene at the time. Nowadays, if you hear an amazing tune played on the radio you can typically stream it instantly online. The convenience is great, but with this ease of access, people (myself included) are more inclined to take music for granted to the extent that its impact and mystique is lost”.
When I started listening to drum & bass I was intrigued, inspired and seduced by the faceless mystique and the self-reliant attitude of so many artists and labels exploring this bold new cultural form. That experimental fearlessness, an entry point and an outlier both at the same time, captured a vital moment – one that could probably never be replicated – where no approach was off-limits. In the early 90s, the connections with my musical heroes were the odd dj gig, cassette tapes changing hands, magazines and the liner notes/credits on the record sleeves. Then the internet revolution came, which provided a portal to a (brave) new world and unprecedented access to all of us who had been on the outside looking in.
Most of the blog’s features are thematically based on informal conversations with my guests. Although I often include verbatim excerpts, it’s been a long time since I posted an actual interview. This is the first installment of a new category introduced to replace one of the blog’s oldest series “Jump The Q”, which has unceremoniously completed its cycle. The “Jump The Q” questionnaire template was designed to be short and simple rather than thought-provoking; the general idea being to discover a few personal details about artists and djs (from their favourite drink to the worst live performance they’ve witnessed), whose music-related work I admire and respect.
The new category titled “On The Outside, Looking In” will encompass a broad and conceptual music-centered scope. The timeline is intentionally non-linear, jumping back and forth in times and places and the head-title is borrowed from the first Modern Urban Jazz release by Glider-State (Blame & Justice); a casual chat between friends and a retrospective sneak view into old photo albums, collections, musical diaries, hazy memories and internal monologues.
Sicknote x Soul Beat Runner
The new series kicks off with two guests, who share common musical taste, vision and aesthetics, dating back to the early days of drum & bass. Really intrigued to find out more about their views, perspective and insight, I am very happy to present Lewis ‘Sicknote’ and Michael ‘Soul Beat Runner’ (SBR) discussing all things music.
“… from a musical point of view, I always intended to release stuff that would hopefully stand the test of time, hence the label name. Having said that, I never would have thought that people would still be listening to some of it 20+ years later! It’s proper mad, but really cool, it’s made it all worthwhile!” – Graham Mew (aka The Invisible Man) on Timeless Recordings
Mouly & Lucida
The eighth installment of the “Whatever happened to …?” series is dedicated to one of the most exciting, though short-lived, mid-nineties drum and bass outfits Mouly & Lucida. Both hailing from the town of Abingdon, Oxfordshire, UK, the duo emerged in 1995, championing the quality over quantity ethos, creating serious waves in the drum and bass landscape of the time.