“… definitely there’s something about you…”
Golden Girl (GLR066)
Throwback to the season 2003-04, a happy and eventful period of my life I reminisce about with bittersweet nostalgia. I was living in London at the time immersing myself in the city’s night life like there was no tomorrow, camouflaging the cultural shock of rubbing shoulders with my musical icons. The London drum & bass scene was flourishing, club nights talking place in abundance. From mid-week events like Fabio’s ‘Swerve’ Wednesdays at The End and ‘Movement’ Thursdays at Bar Rumba to the main Friday residencies like Fabric Room 2 label takeovers, Good Looking’s ‘Progression Sessions’, Ram and Renegade Hardware at The End, to the ad hoc d&b parties at Jazz Café, Heaven, Ministry of Sound, Carling Academy, Cargo and Plastic People to Sunday evenings at Herbal with ‘Hospitality’ and Grooverider’s ‘Grace’. There must have been definitely many more I have forgotten to highlight as memories tend to blur after all these years, but there was always something happening to accommodate for every musical taste. It was evident, even then, that it was only a matter of time, before drum & bass would sell out big clubs and headline festivals across the world.
Looking Good Records
Looking Good Records (referred to as LGR onwards) was launched in 1995 as a sub-label of Good Looking Records. LGR has released to the time of writing 52 singles, 5 retrospective compilations under the title “Looking Back” containing tracks previously released as singles, as well as an unmixed 9-track compilation entitled “Visions” – available only in cd format – with contributions from various artists of the Good Looking Organisation roster. Focusing mainly on the atmospheric, mellower side of the drum and bass spectrum, the label has presented countless classics by some of the greatest artists in the scene including the likes of LTJ Bukem himself, Photek under his Aquarius moniker, Seba, PFM, Blu Mar Ten, ASC, Jason Greenhalgh of Total Science under the Hieroglyphix and Q Project aliases, a collaboration of Blame and Nookie under the New Balance moniker, The Invisible Man, Makoto, Artemis and Future Engineers to name a few. Many of the LGR releases have been also included in the various installments of the Progression Session series. Continue reading
Creative Source was launched in 1995 by Fabio and has released to the time of writing 60 singles, 2 compilations compiled and mixed by Fabio himself (Liquid Funk vol 1 & 2) as well as a double album by Calibre entitled Musique Concrete. Focusing mainly on the jazzier, mellower side of the drum and bass spectrum, the label has fostered a creative space for some of the greatest artists in the scene. It has been inactive since 2010, however a re-launch is highly anticipated.
In strict chronological order ten of Creative Source’s finest moments are demonstrated below: Continue reading