Tracks I Wish I’d Written (issue #7): UB40 – Until My Dying Day (Icons remix)

Until My Dying Day was a tune UB40 had written, which was touted to be the theme for the latest Bond film at the time (GoldenEye) …”

UB40 - Until My Dying Day (Icons remix)

Until My Dying Day (Icons remix)

By the first half of the 90s, UB40’s constant touring had taken its toll and the band was ready for a well-earned rest. During their sabbatical, several of the band’s members worked on their own musical projects. Earl Falconer, the group’s bassist, would follow his passion outside UB40, engaging into jungle/drum and bass production and promotion activities with remarkable success.

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Tracks I Wish I’d Written (issue #6): Voyager – Hypersleep

I work for the company. But don’t let that fool you; I’m really an okay guy.”

“A track that has stood the test of time and will still be a classic even if you wake up after a 57-years hypersleep”

label

‘Hypersleep’ record label

Celebrating the 20th anniversary since the seminal ‘Hypersleep’ first saw the light of day, a track written and produced by Voyager (the primary recording alias of Pete Parsons), the sixth installment of the blog’s “Tracks I Wish I’d Written” series is about the background story behind ‘Hypersleep’. Eloquently narrated in-depth by Parsons himself, an iconic figure of the drum and bass scene and one of the most respected and recognized producers and sound engineers, the story is a nostalgic and colourful account of the series of events that inspired and motivated him to write a timeless classic; a trip down memory lane capturing vividly the atmosphere of the mid-90s drum & bass scene.

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Tracks I Wish I’d Written (issue #5): Black Rain – Another Silent World

“… with desolate, even mournful piano notes, oscillating effortlessly between the robust and the fragile, ‘Another Silent World’ is a streamlined, almost cinematic take in a drum & bass context …”

album-cover-front

Black Rain (album front cover)

The fifth installment of the blog’s “Tracks I Wish I’d Written” series is about an obscure track, produced in 2003 by one of my all-time favourite musicians/artists. At first glance, Black Rain might not ring any bells, as it was a cross-genre, one-off musical project, which was active in the first half of the new millennium, but regrettably stayed under the radar. Nonetheless, the members of Black Rain have been two of the most respected and celebrated drum & bass artists; Robert Haigh and Sean O’Keeffe, widely known by their primary recording aliases Omni Trio and Deep Blue respectively.

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Tracks I Wish I’d Written (issue #4): Future Engineers – Eden

“I’m not a big believer in magic. But this place is different. It’s special. The others don’t want to talk about it because it scares them. But we all know it. We all feel it … But what if everything that happened here, happened for a reason? … That’s impossible … I looked into the eye of the island, and what I saw … was beautiful.”

Lost TV series, Season 1, Episode 5 “White Rabbit”, aired October 2004

Future Engineers – Eden

This is the fourth installment of the blog’s “Tracks I Wish I’d Written” series. Every track that is presented here has been selected from my personal record collection and has had a profound impact on my musical taste. Featuring a variety of tracks across the electronic music spectrum, emphasizing mainly on drum and bass, from undisputed classics to underrated gems, all are tracks I wish I had written, as the title of the series implies.

The fourth issue is about a modern classic by Future Engineers (Lee Batchelor & Keir Kleminson); the outfit that re-designed the atmospheric drum and bass blueprint in the second half of the 90s, borrowing from the immediacy of techno, without neglecting their trademark musicality. Continue reading

Tracks I Wish I’d Written (issue #3): Saint Etienne – The Sea (PFM mix)

“Down by the Sea, No-one but me, Caught in the rain, I’m free again, Stood on the pier, No trace of tears, Right back where I started from, I know that I wasn’t wrong, Right back where I started from”

Saint Etienne – Down By The Sea, Continental LP, L’appareil-Photo/ReadyMade Records, Japan, 1997

This is the third installment of the blog’s new series “Tracks I Wish I’d Written”.

Every track that is presented in the series is selected from my personal record collection and has had a profound impact on my music taste. Featuring a variety of tracks across the electronic music spectrum, emphasizing mainly on drum and bass, from undisputed classics to underrated gems – all tracks I wish I had written, as the title of the series clearly states.

The third issue of the series is about one of the most exhilarating and beautiful fusions of pop sensibility in a drum and bass context. PFM, an artist always in the vanguard of the atmospheric and ambient side of drum and bass, has applied his studio wizardry to capture the desolation and melancholy of a pop song and encapsulate it in an elegant and illustrious drum and bass masterpiece.

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Tracks I Wish I’d Written (issue #2): Commix – Be True

“We’re trying to push the sounds that were around in the mid-1990s, but update them … We’re keen to bring back experimentation. I think it’s something that has been lost over the past ten years. You’ve got more and more dance-floor fodder coming out. Drum and bass became about the same people for too long. We’re well aware that in two years it won’t be our stuff that’s being played, it’ll be someone else’s. That’s what makes it healthy” – Guy Brewer, prior to a Commix set at Aperture, June 2008

This is the second installment of the blog’s new series “Tracks I Wish I’d Written”.

Every track that will be presented in the series is selected from my personal record collection and has had a profound impact on my musical taste. Featuring a variety of tracks across the electronic music spectrum, emphasizing mainly on drum and bass, from undisputed classics to underrated gems – all tracks I wish I’d written, as the title of the series clearly states.

Commix - Be True

Commix – Be True

The first feature of the series has been about a Photek production released in 1996. Making a leap in time and fast forward to 2007, the second issue is about a modern drum and bass classic; perhaps the most celebrated track from one of the most fascinating and talented drum and bass outfits of the last decade, Commix.

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Tracks I Wish I’d Written (issue #1): The Sentinel feat. Co-Co – Toulépleu

This is the first installment of the blog’s new series “Tracks I Wish I’d Written”.

Every track that will be presented in the series will be selected from my personal record collection and has had a profound impact on my musical taste. Featuring a variety of tracks across the electronic music spectrum, emphasizing mainly on drum and bass, from undisputed classics to underrated gems – all tracks I wish I’d written, as the title of the series clearly states.

The inaugural issue of the series is a track by Rupert Parkes; one of the most influential, prolific and iconic figures of drum and bass and electronic music in general. Continue reading