“A song for a life I left behind”
Calibre – Hypnotise (SOULR016, 2004)
When I started the ‘Tracks I Wish I’d Written’ series six years ago, I had an abstract vision in mind: to hand-pick, document and present sentimental music from my collection in an endeavor to unlock something magical, to capture that moment in time and that beautiful place, which are both tantalizingly at your fingertips, but seem always out of reach. The blog is mainly d&b-oriented, as is my record collection, so intuitively most installments feature drum & tracks, or to be more precise tracks loosely or directly related to the drum & bass template and aesthetic.
The next edition of the ‘Tracks I Wish I’d Written’ was in fact pencilled to feature at the start of the series, but somehow I didn’t feel confident enough or emotionally detached to talk about it, until now. It’s a track that gracefully reflects the arrogance and naivety of an earlier life, which I wasn’t quite ready to leave behind. Quoting Johnny Lee Miller’s character ‘Sickboy’ in Trainspotting 2: “Nostalgia. That’s why you’re here. You’re a tourist in your own youth”.
“No? Who am I then? – A puppet. – And you’re not? Or maybe, you’re my puppet. But like all puppets you think you’re actually human. It’s the puppet’s dream, being human.”
Silent Dust is the musical project of Andy Hobbs (Hobzee) and Daniel Blishen (Zyon Base). They have been producing music under their respective solo monikers for more than a decade and made their discography debut as a duo in 2008. Hobzee & Zyon Base forged their unique career path from the prevalent post-liquid drum & bass sound to the outskirts of Autonomic with releases on some of the genre’s renowned labels including SGN:LTD, Fokuz, Influenza Media and Samurai Music (‘1000 Paper Cranes’ is a firm favourite), which garnered wide support and praise by the genre’s most prolific djs and taste-makers.
“… the track had a very heavy nostalgic feeling to it, like you were looking at an old photo album with the faded film of childhood memories, simpler times. We are both massive fans of video and with ‘Photograph’ it’s like we envisioned it to be scene of a film …” – Damon Kirkham reflects on the track’s conception
“… ‘Photograph’ takes the deep, emotive route of previous releases ‘Pacific Heights’ and ‘Sakura’ into the most beatific, blissful and evocative music they have yet conspired to create… in short, a modern masterpiece” – Triple Vision Distribution, Press Release, May 2009
Leaving the mid-90s drum & bass golden era and fast forward to 2009, the 8th installment of the blog’s ‘Tracks I Wish I’d Written’ series is about a distinctive and quintessential track of the ‘Autonomic’ era, written and produced by Instra:mental, the masters of electronic reverie. Introducing a wide palette of sound sources and analogue production techniques, profoundly influenced by a variety of musical styles from years past, Instra:mental re-imagined the drum & bass blueprint, applying a cinematic vision with a cross-genre appeal to their production output.
A veteran producer, a prolific artist, a dexterous sonic fusioneer, a label owner and one of the most interesting figures in the drum and bass circuit Klute is the primary recording alias of Tom Withers.
A veteran producer and one of the most experienced artists in drum & bass, Darren White aka dBridge is an artist whose multiple transformations and evolutions glide through a staggering list of achievements. Over the course of a long and distinguished career, he has been at the heart of some the most exciting collaborative partnerships drum & bass has ever seen from Future Forces to Bad Company and most recently Club Autonomic. Forging a strong bond with Instra:mental, they showcased their Autonomic sound with an award-winning Fabriclive mix CD, worldwide tour and residencies for Fabric and Rinse FM. In 2011, dBridge returned the focus to his label Exit Records with the Mosaic Vol. 1 compilation and more artist LPs as he continues to be a mentor to the new breed of producers inspired by his career. As a solo artist, dBridge remains versatile with his own productions for Exit, Metalheadz, Reinforced, Hotflush and many more.
Although his love of music dates back much farther, Darren’s career began in earnest in 1992 when he moved to London to make music with and produce for his brother Steve (himself a successful solo artist and front-man for the group “Spacek”). Catching the buzz of the nascent rave scene along with his brother, he ventured out to club nights such as Roast and the Astoria and drew inspiration from the deep dubby tones of the Jah Shaka Soundsystem. Darren soon found himself working with UK hardcore group Armshouse Crew, the production posse responsible for Lennie De Ice’s proto-jungle anthem “We are I.E.” and began to master the synths and samplers that were the source of this new sound. Continue reading