On The Outside, Looking In Vol. 1: Sicknote x Soul Beat Runner

Most of the blog’s features are thematically based on informal conversations with my guests. Although I often include verbatim excerpts, it’s been a long time since I posted an actual interview. This is the first installment of a new category introduced to replace one of the blog’s oldest series “Jump The Q”, which has unceremoniously completed its cycle. The “Jump The Q” questionnaire template was designed to be short and simple rather than thought-provoking; the general idea being to discover a few personal details about artists and djs (from their favourite drink to the worst live performance they’ve witnessed), whose music-related work I admire and respect.

The new category titled “On The Outside, Looking In” will encompass a broad and conceptual music-centered scope. The timeline is intentionally non-linear, jumping back and forth in times and places and the head-title is borrowed from the first Modern Urban Jazz release by Glider-State (Blame & Justice); a casual chat between friends and a retrospective sneak view into old photo albums, collections, musical diaries, hazy memories and internal monologues.

Sicknote x SBR

Sicknote x Soul Beat Runner

The new series kicks off with two guests, who share common musical taste, vision and aesthetics, dating back to the early days of drum & bass. Really intrigued to find out more about their views, perspective and insight, I am very happy to present Lewis ‘Sicknote’ and Michael ‘Soul Beat Runner’ (SBR) discussing all things music.

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Count To Ten: Drum & Bass Illustrations and Record Sleeves

“… drawing a fine line between the sublime and the ordinary, the initial presentation criteria have been the aesthetic quality of the imagery, the nature of its production, the relationship to the music on the record and obviously my personal attachment …”

Mosaic 2

Drum & Bass Record Sleeves

Something completely different for the last post of 2016; instead of the music per se, the next installment of the blog’s ‘Count To Ten’ series is dedicated to artwork design, an essential aspect of the physical product. The size and tactile experience of the record sleeve is one of the reasons why vinyl records remain the most enjoyable way to listen to music. The recent vinyl resurgence has rekindled the art of the record layout. Whether it’s hand-made or mass-produced, meticulously arranged or spontaneously created, the cover artwork adds a literal dimension to the music that a digital thumbnail simply cannot replicate.

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Digital Jumps The Q

“I don’t feel I was trying to be anyone else, I was drawing from my influences when I was younger, a bit of reggae, hip-hop … It was coming straight from the heart and I think that’s important” – Digital on his first production steps calling for individuality – Red Bull Music Academy, Rome, 2004

Digital

The next international guest of the blog’s “Jump the Q” series is Digital; one of the most prolific, influential, consistent and widely respected drum & bass artists. Two decades after his inaugural solo release, with an enviable and extensive back catalogue under his belt, as well as a plethora of classics for the genre’s most prestigious record labels, Digital celebrates the 20 years milestone of his recording career with the re-launch of his own imprint Function Records.

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On Reflection: Three Years Of Blogging

“A passion for music that gradually escalated over time into a controlled obsession”

GodIsNoLongerADj

It has been three years since this blog went online, although its conception goes further back, so I eventually decided it’s about time I shared some thoughts about how it all started, as well as provide a retrospective account of the events that influenced the blog’s thematic basis. At the end of the feature, there is a quick walk-through the blog’s various categories/series and a brief background story behind each one of them.

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Count To Ten: Timeless Recordings (’92 – ’99)

Timeless Recordings

Timeless Recordings

Intro

“… from a musical point of view, I always intended to release stuff that would hopefully stand the test of time, hence the label name. Having said that, I never would have thought that people would still be listening to some of it 20+ years later! It’s proper mad, but really cool, it’s made it all worthwhile!” – Graham Mew (aka The Invisible Man) on Timeless Recordings

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Whatever happened to … Mouly & Lucida?

Mouly & Lucida

Mouly & Lucida

Intro:

The eighth installment of the “Whatever happened to …?” series is dedicated to one of the most exciting, though short-lived, mid-nineties drum and bass outfits Mouly & Lucida. Both hailing from the town of Abingdon, Oxfordshire, UK, the duo emerged in 1995, championing the quality over quantity ethos, creating serious waves in the drum and bass landscape of the time.

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