“I wanted to use a methodical, timeless word, which could have different meanings. Obviously, ‘Rotation’ for circular motion on a turntable, ‘Rotation’ in life’s cycle, ‘Rotation’ in art forms that appear, fade, reappear, ‘Rotation’ as a whole; and then ‘Audio’, because audio production is what we’re involved in”.
I have been browsing through my notes pondering about the blog’s 7th year anniversary feature (due this coming April) and couldn’t help wondering about the lengths d&b has reached after all these years. The scene seems as exciting and healthy as ever, abounding with great new music literally every week. It’s been definitely easier, almost de rigueur to establish a new record label nowadays, as opposed to the 90s, however to carve a niche in a small yet saturated market without vision, purpose and commitment is a first class ticket to disappointment.
The next installment of the blog’s ‘This Side/That Side’ label profile series, is about a brand-new, boutique independent record label based in Bournemouth UK, which has been a creative hub the last few years. The brainchild of dj/producer Joe ‘Ride’ Rideout, Rotation Audio was founded through love and dedication to electronic music. The new label will aim to showcase some of the rawest well-known and underground talent in the drum & bass and jungle scene and will focus on the darker roots of the spectrum. Their first release emphatically validated that statement.
“I think things are cyclical and in the advent of digital, people crave the physical”
“And I think record collectors will always be buying vinyl and building a collection of good music, then passing on that knowledge to others who might not collect yet, because it’s great and fun and a way of life!”
This is the second installment of the blog’s new series titled “On The Outside, Looking In”. As the title suggests, it is a retrospective sneak view into my guests’ photo albums, collections, musical diaries, hazy memories and internal monologues. The discussion timeline is non-linear, jumping back and forth in times and places, as it would probably be in a real-time conversation with friends, whose music-related work I admire and respect. The concept of interviewing my guests in pairs has been intriguing and thought-provoking, trying to find out how their paths have periodically intersected and eventually converged through music: from rented studio time in the early 90s to custom-made studios and modern production, from raves in warehouses and sweaty basements to transatlantic tours and remixing punk priestess Siouxsie (well, that’s a story for another day), from tape packs and pirate radio to record fairs, eclectic record collections, running boutique record labels in 2019 and everything in-between.
Justice & Dissect
The head title of the series has been inspired from the first Modern Urban Jazz release by Glider-State (Blame & Justice), so it is with great joy that I present the man himself Tony ‘Justice’ Bowes alongside one of the most interesting figures of the new generation of producers Michael ‘Dissect’ Walsh.
Most of the blog’s features are thematically based on informal conversations with my guests. Although I often include verbatim excerpts, it’s been a long time since I posted an actual interview. This is the first installment of a new category introduced to replace one of the blog’s oldest series “Jump The Q”, which has unceremoniously completed its cycle. The “Jump The Q” questionnaire template was designed to be short and simple rather than thought-provoking; the general idea being to discover a few personal details about artists and djs (from their favourite drink to the worst live performance they’ve witnessed), whose music-related work I admire and respect.
The new category titled “On The Outside, Looking In” will encompass a broad and conceptual music-centered scope. The timeline is intentionally non-linear, jumping back and forth in times and places and the head-title is borrowed from the first Modern Urban Jazz release by Glider-State (Blame & Justice); a casual chat between friends and a retrospective sneak view into old photo albums, collections, musical diaries, hazy memories and internal monologues.
Sicknote x Soul Beat Runner
The new series kicks off with two guests, who share common musical taste, vision and aesthetics, dating back to the early days of drum & bass. Really intrigued to find out more about their views, perspective and insight, I am very happy to present Lewis ‘Sicknote’ and Michael ‘Soul Beat Runner’ (SBR) discussing all things music.