Electronic Reveries

Happy New Year everybody! For the first post of 2018, I have compiled a continuous playlist with some of my favourite electronic tracks from the last few years; essentially music I’ve been listening to, when I am not listening to drum & bass. Although this is clearly a drum & bass-oriented blog, regular readers must have spotted my affinity for ambient, film scores and modern electronica. I have contemplated the expansion of the blog’s scope quite often, however I eventually decided to publish non-drum & bass content only sporadically for the time being, as it seems impossible to stay up-to-date with more than one electronic music genre in a consistent fashion these days.

Electronic Reveries

“The soundtrack of daydreaming, adding widescreen vistas and deep, saturated hues to the monochrome silence”

The playlist selection has been quite diverse. Blurring the lines between composition and improvisation, from spacey ambience and dystopian interludes, to avant-garde electronica and contemporary classical music, the common denominator encompasses musicality, sound aesthetics and subtle emotional gravity. Continue reading

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Tracks I Wish I’d Written (issue #10): Ulrich Schnauss & ASC – 77

from Kiel and Berlin to London and San Diego, cool has been re-imagined

“… ‘77’ seems a piece that has a rather elegant flow, something I always appreciated about d&b very much. Although this might not be a d&b release from a ‘genre-stalinist’ perspective, I’d still argue that it at least attempts to relate to that kind of aesthetic …” – Ulrich Schnauss

ASC & Ulrich Studio Pic

James Clements and Ulrich Schnauss in their studios

Leaping in time from the nostalgically distant 1994 and Foul Play to 2012 for the 10th installment of the ‘Tracks I Wish I’d Written’ series. It’s been a rare occasion that two of my all-time favourite electronic music artists have combined their studio wizardry for an exquisite collaboration, which succinctly encapsulates their cinematic aesthetics. Having a visionary and eclectic scope, sophisticated production and composition qualities, as well as enviable back catalogues transcending genres and styles, James Clements and Ulrich Schnauss are purveyors of fine electronic music.

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