Every track presented in the series has a special place in my collection and is associated with a different period of my life, hence the time leaps. Throwback to 1997 for the 13th installment of the Tracks I Wish I’d Written; a stellar classic with one of the genre’s most recognizable and revered lead synths, written and produced by one of drum & bass’ unsung heroes that captures elegantly a nostalgic time and place.
Odyssey – Expressions (720-001)
“… God bless the path of the musical children, walking the steps of change going forward-bound, our music’s taking you to higher ground …” – MC Conrad
Most of the blog’s features are thematically based on informal conversations with my guests. Although I often include verbatim excerpts, it’s been a long time since I posted an actual interview. This is the first installment of a new category introduced to replace one of the blog’s oldest series “Jump The Q”, which has unceremoniously completed its cycle. The “Jump The Q” questionnaire template was designed to be short and simple rather than thought-provoking; the general idea being to discover a few personal details about artists and djs (from their favourite drink to the worst live performance they’ve witnessed), whose music-related work I admire and respect.
The new category titled “On The Outside, Looking In” will encompass a broad and conceptual music-centered scope. The timeline is intentionally non-linear, jumping back and forth in times and places and the head-title is borrowed from the first Modern Urban Jazz release by Glider-State (Blame & Justice); a casual chat between friends and a retrospective sneak view into old photo albums, collections, musical diaries, hazy memories and internal monologues.
Sicknote x Soul Beat Runner
The new series kicks off with two guests, who share common musical taste, vision and aesthetics, dating back to the early days of drum & bass. Really intrigued to find out more about their views, perspective and insight, I am very happy to present Lewis ‘Sicknote’ and Michael ‘Soul Beat Runner’ (SBR) discussing all things music.
“ … when I’m creating music, I mostly envision different worlds. Once you stick with astronomy and the mysteries of the universe, there’s no turning back, hence the track titles are all universe-related. I’m all about stargazing, what I imagine is what I create and through the process I’m feeling it. The album title says it all really …”
“The Hidden Worlds” is the debut personal album of the Serbian producer Slobodan Oljaca, known by his recording alias Okee. An inertial and stellar navigation to distant constellations and planets, the album beautifully emulates premium atmospherics, creating a mood of existential uncertainty. Profoundly influenced by vintage science fiction films and the exceptional drum & bass sound of the 90s, “The Hidden Worlds” captures sense and sensibility as grandly as Okees’ musical icons, investing every glacial synth shimmer with a hope even solar wind at the termination shock can’t kill.
“… definitely there’s something about you…”
Golden Girl (GLR066)
Throwback to the season 2003-04, a happy and eventful period of my life I reminisce about with bittersweet nostalgia. I was living in London at the time immersing myself in the city’s night life like there was no tomorrow, camouflaging the cultural shock of rubbing shoulders with my musical icons. The London drum & bass scene was flourishing, club nights talking place in abundance. From mid-week events like Fabio’s ‘Swerve’ Wednesdays at The End and ‘Movement’ Thursdays at Bar Rumba to the main Friday residencies like Fabric Room 2 label takeovers, Good Looking’s ‘Progression Sessions’, Ram and Renegade Hardware at The End, to the ad hoc d&b parties at Jazz Café, Heaven, Ministry of Sound, Carling Academy, Cargo and Plastic People to Sunday evenings at Herbal with ‘Hospitality’ and Grooverider’s ‘Grace’. There must have been definitely many more I have forgotten to highlight as memories tend to blur after all these years, but there was always something happening to accommodate for every musical taste. It was evident, even then, that it was only a matter of time, before drum & bass would sell out big clubs and headline festivals across the world.
What the sleeve notes never tell you
It’s been 16 months since the original post , which was meant to be a one-off feature; however I always felt that it’s been somehow incomplete. The constructive feedback I received, occasionally bordering on debate over a matter de facto subjective, convinced me to revisit the topic; paraphrasing Nick Hornby “a sneer at the bad choices, an understated but supportive raise of the eyebrow for the good ones”. So, instead of updating the list, I decided to compile a new one containing record artwork I had intentionally omitted for a variety of reasons, as well as couple of recent entries.
“What came first, the music or the obsession?”
This coming month is the sixth year anniversary since the blog went officially online. Three years ago I shared some thoughts here about how it all started, a retrospective account of the events that influenced the blog’s thematic basis, as well as a quick walk-through the blog’s various categories/series and a brief background story behind each one of them. A lot has changed since then, so I thought it would be apt to update regular and non-regular readers about the new direction, forthcoming features and what the future holds for this blog. Certain categories have completed their cycle, new have been added and some remain dormant until the right trigger or inspiration comes up.
“… hearing my track loud on a sound system, watching people’s reactions. That’s all you need as a producer. That’s pure approval right there. People loving what you make; it ‘s mission accomplished …”
MI5 – Experience (LSR020)
Throwback to 1995 for the 11th edition of the blog’s ‘Tracks I Wish I’d Written’ series. The artist name might not ring a bell at first glance; however behind this one-off recording guise has been one of the most influential and celebrated drum & bass producers of the mid-90s DJ Crystl. Combining old-school hip-hop breakbeat mechanics with ethereal sci-fi soundscapes, his productions have been paramount to the flourishing of ambient jungle. With a cinematic approach, collating and transcending contradictions – en vogue yet timeless, benign yet sinister, nuanced yet evident – Crystl has envisioned the soundtrack of imaginary film scenes.