Liner notes on 2019

“Forget the times ahead” As another exceptional year for important things, like new wonderful music, draws to an end, I would like to take the opportunity once again to thank all artists and record labels for gracing this year with their beautiful music and safeguarding the art, the passion and the romance. Despite our cultureContinue reading “Liner notes on 2019”

Songs for the misfits: Inside Klute’s ‘Whatever It Takes’ LP

‘Whatever It Takes’ is a phrase I’ve been saying to myself over the last few years, when I despair with manipulative behaviour, in the face of what seems to be happening in the current climate of media/consumer culture; the lengths that people will go to, the things that they will do to get attention orContinue reading “Songs for the misfits: Inside Klute’s ‘Whatever It Takes’ LP”

A Mermaid’s Dream: Inside J Majik’s Slow Motion LP

“The Luke Skywalker of Breakbeat. He is unbelievable, he is so talented. I’ve been watching him grow up in the last two years. I’ve seen him grow from this inquisitive street kid to that age where he’s humorous and simply enjoying life. I do feel like a big brother to him.” – Goldie on JContinue reading “A Mermaid’s Dream: Inside J Majik’s Slow Motion LP”

Liner notes on an exceptional musical year

“Sacrificing time, energy and money to keep an independent record label afloat in a niche and saturated market is a reality we often ignore or overlook, especially when it comes to investing on the vinyl format. So, I take the opportunity to thank all artists and record labels for gracing this year with their beautifulContinue reading “Liner notes on an exceptional musical year”

Tracks I Wish I’d Written (issue #14): Klute – We Control The Vertical

“… a touching piece of graffiti appeared on a wall during the gig – a vertical line, a horizontal line and then the two conjoined – we control the vertical, we control the horizontal, we control the Zig Zag…” Over the years I have developed a penchant for albums. Immersing in the underlying atmosphere, IContinue reading “Tracks I Wish I’d Written (issue #14): Klute – We Control The Vertical”

The Hidden Worlds: Inside the album

“ … when I’m creating music, I mostly envision different worlds. Once you stick with astronomy and the mysteries of the universe, there’s no turning back, hence the track titles are all universe-related. I’m all about stargazing, what I imagine is what I create and through the process I’m feeling it. The album title saysContinue reading “The Hidden Worlds: Inside the album”

Count To Ten: Cross-genre drum & bass remixes – part 2 (1997-99)

The second part of the blog’s mini-series covers the period 1997-99. What may have started timidly for artistic purposes or exclusive dj promotional use, by 1997 it became almost de rigueur for record labels to commission drum & bass versions for selected singles and various remix compilations. The niche underground genre infiltrated the mainstream andContinue reading “Count To Ten: Cross-genre drum & bass remixes – part 2 (1997-99)”

Savage Times: Inside Modern Urban Jazz

“… when I refer to the music now as d&b, I never really considered it much then. I know that may sound strange, but I think we always operated as outsiders; I personally always felt on the outside looking in, which is why our Glider-State track was called so…” “… I hadn’t done anything onContinue reading “Savage Times: Inside Modern Urban Jazz”

Kimyan Law Jumps The Q

“We release music we like made by people we like.”- Blu Mar Ten on the ethos of their label Intro: After experimentation with various electronic music genres, two non-d&b studio albums and a string of drum and bass releases on a wide array of prestigious labels, Blu Mar Ten marked their glorious comeback to familiarContinue reading “Kimyan Law Jumps The Q”

Count To Ten: Creative Source

Creative Source was launched in 1995 by Fabio and has released to the time of writing 60 singles, 2 compilations compiled and mixed by Fabio himself (Liquid Funk vol 1 & 2) as well as a double album by Calibre entitled Musique Concrete. Focusing mainly on the jazzier, mellower side of the drum and bassContinue reading “Count To Ten: Creative Source”