Tracks I Wish I’d Written (issue #7): UB40 – Until My Dying Day (Icons remix)

Until My Dying Day was a tune UB40 had written, which was touted to be the theme for the latest Bond film at the time (GoldenEye) …”

UB40 - Until My Dying Day (Icons remix)

Until My Dying Day (Icons remix)

By the first half of the 90s, UB40’s constant touring had taken its toll and the band was ready for a well-earned rest. During their sabbatical, several of the band’s members worked on their own musical projects. Earl Falconer, the group’s bassist, would follow his passion outside UB40, engaging into jungle/drum and bass production and promotion activities with remarkable success.

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Tracks I Wish I’d Written (issue #5): Black Rain – Another Silent World

“… with desolate, even mournful piano notes, oscillating effortlessly between the robust and the fragile, ‘Another Silent World’ is a streamlined, almost cinematic take in a drum & bass context …”

album-cover-front

Black Rain (album front cover)

The fifth installment of the blog’s “Tracks I Wish I’d Written” series is about an obscure track, produced in 2003 by one of my all-time favourite musicians/artists. At first glance, Black Rain might not ring any bells, as it was a cross-genre, one-off musical project, which was active in the first half of the new millennium, but regrettably stayed under the radar. Nonetheless, the members of Black Rain have been two of the most respected and celebrated drum & bass artists; Robert Haigh and Sean O’Keeffe, widely known by their primary recording aliases Omni Trio and Deep Blue respectively.

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Tune Of The Day #2 – Review for drumtrip.co.uk

UB40 - Until My Dying Day (Icons remix)

UB40 – Until My Dying Day (Icons remix)

UB40 – Until My Dying Day (Icons remix) – Dep International (DEPDJX4512, 1996)

This is my second contribution to the oldschool specialist blog Drumtrip; a review and the background story behind the classic Icons remix of UB40‘s Until My Dying Day.  You can view the original post, as well the previous installments of the TOTD series here:

By the first half of the 90s, UB40’s constant touring had taken its toll and the band was ready for a well-earned rest. During their sabbatical, several of the band’s members worked on their own musical projects. Earl Falconer, the group’s bassist, would follow his passion outside UB40, engaging in jungle/drum and bass production and promotion activities with remarkable success.

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MJAZZ presents The Modernists

The Modernists vol 1-4

The Modernists vol 1-4

The Modernists is a highly acclaimed, collectible, limited edition, compilation series project released by the forward-thinking Modern Urban Jazz (MJAZZ) label. To the time of writing The Modernists series consists of four volumes (official release date of the 4th volume is the 22nd of July, 2013), featuring mainly artists and affiliates of the MJAZZ collective. An eclectic cross-genre selection, covering a wide palette of electronic bass music, from techno to deep drum and bass, with clear electro, house and hip-hop influences, every volume seems to be pushing the music boundaries even further.

Limited to strictly 100 copies per installment, with hand finished artwork and stickers or badges included, every release is a collectible; an approach that seems to be becoming more popular within drum and bass, rendering every physical copy unique and individual.

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Whatever happened to … Endemic Void?

“Ennio Morricone meeting Isaac Hayes in a full-on jungle vibe, Endemic Void  pushes the limits of time-stretchology with this deep, cinematic, frontline  fanfare. Rich, vibrant and all-encompassing” –   (Melody Maker, 1995) 

Endemic Void

Endemic Void

The fourth installment of the series is dedicated to one of the unsung heroes of the golden era of drum and bass Danny Coffey (aka Basic One, Blades, Tertius, Endemic Void, Slipstream and Strictly Rockers).

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Whatever happened to … Partisan Recordings?

The third installment of the series is dedicated to the short-lived but highly influential label Partisan Recordings, established as one of the most innovative outlets of cutting-edge drum and bass in the late 90s. The purpose of this article is to shed light on the high impact of the label on the drum and bass landscape of the late 90s, having been the creative home of some of the most prominent drum and bass artists of that time.

Partisan Logo 1

Partisan Recordings

History and label set-up

In the late summer of 1997 and after legal wrangling with Moving Shadow’s head honcho, five key members of the Moving Shadow managing staff resigned from their posts, namely: Caroline Butler (Label Manager at Moving Shadow Records), Sean O’Keeffe (aka Deep Blue and Art Director at Moving Shadow also), Simon Colebrooke (of 2 Bad Mice and A&R Director – responsible for the recruitment of all artists), Paul Rhodes (of 2 Bad Mice also – Label Assistant) and Gavin Newman (Label Assistant); essentially the entire staff aside from Rob Playford.

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Memoirs Of a Vinyl Junkie – part 4

Basement

 A Frenchman, a card, a broken arm and the epiphany

Saturday afternoon, December 3rd 1994, somewhere in western Athens

He entered the cafeteria, where all his schoolmates used to gather on a Saturday afternoon for  coffee and small talk.  His mates waved at him. They were sitting on a table beside the big boys. Good choice, he thought, it was always entertaining to overhear the big boys chat about footie, music and clubbing. The main topic was the opening party several weeks ago and the blast everybody had had. He was well familiar with what the big lads were talking about. He and his mates had witnessed what would be a point of reference, a milestone in Athens nightclubbing for the years to come. They were so excited that they had become members that very night in order to jump the queue and save some money on the admission fee. That night a Frenchman was the special guest. He had run across a record of his, earlier that morning. At the time, there were no music genres – let alone subgenres – in his mind. As long as it was electronic and sounded right, he was game.

Saturday around midnight, December 3rd 1994, somewhere in central Athens

They took the last bus service, as per usual, to the city center. It was a good 20 minutes walk to the club, but that was no fuss. They were so anxious about what was going to happen that the distance and the cold were of minor importance. Outside the club a large queue was already forming. Three weeks ago, on the opening party, they were standing patiently one and a half hours in the cold to get in. Not this time he thought. They approached the bouncer and the face-controller jumping the queue with audacity. Upon showing their membership cards they were allowed in, amidst yelling and insults from the people in the queue. He smiled sardonically, as they walked the main entrance, already feeling goose bumps. He couldn’t tell if it were the lights, the smell, the banners, the people, but he would feel the same rush, every time he walked that door in the future. Any regular punter at the time would add to that. Continue reading