Tracks I Wish I’d Written (issue #10): Ulrich Schnauss & ASC – 77

from Kiel and Berlin to London and San Diego, cool has been re-imagined

“… ‘77’ seems a piece that has a rather elegant flow, something I always appreciated about d&b very much. Although this might not be a d&b release from a ‘genre-stalinist’ perspective, I’d still argue that it at least attempts to relate to that kind of aesthetic …” – Ulrich Schnauss

ASC & Ulrich Studio Pic

James Clements and Ulrich Schnauss in their studios

Leaping in time from the nostalgically distant 1994 and Foul Play to 2012 for the 10th installment of the ‘Tracks I Wish I’d Written’ series. It’s been a rare occasion that two of my all-time favourite electronic music artists have combined their studio wizardry for an exquisite collaboration, which succinctly encapsulates their cinematic aesthetics. Having a visionary and eclectic scope, sophisticated production and composition qualities, as well as enviable back catalogues transcending genres and styles, James Clements and Ulrich Schnauss are purveyors of fine electronic music.

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Tracks I Wish I’d Written (issue #1): The Sentinel feat. Co-Co – Toulépleu

This is the first installment of the blog’s new series “Tracks I Wish I’d Written”.

Every track that will be presented in the series has been hand-picked from my personal record collection and has had a profound impact on my musical taste. Featuring a variety of tracks across the electronic music spectrum, emphasizing mainly on drum and bass, from undisputed classics to underrated gems – all tracks I wish I’d written, as the title of the series clearly states.

The inaugural issue of the series is a track by Rupert Parkes; one of the most influential, prolific and iconic figures of drum and bass and electronic music in general. Continue reading