“… definitely there’s something about you…”
Golden Girl (GLR066)
Throwback to the season 2003-04, a happy and eventful period of my life I reminisce about with bittersweet nostalgia. I was living in London at the time immersing myself in the city’s night life like there was no tomorrow, camouflaging the cultural shock of rubbing shoulders with my musical icons. The London drum & bass scene was flourishing, club nights talking place in abundance. From mid-week events like Fabio’s ‘Swerve’ Wednesdays at The End and ‘Movement’ Thursdays at Bar Rumba to the main Friday residencies like Fabric Room 2 label takeovers, Good Looking’s ‘Progression Sessions’, Ram and Renegade Hardware at The End, to the ad hoc d&b parties at Jazz Café, Heaven, Ministry of Sound, Carling Academy, Cargo and Plastic People to Sunday evenings at Herbal with ‘Hospitality’ and Grooverider’s ‘Grace’. There must have been definitely many more I have forgotten to highlight as memories tend to blur after all these years, but there was always something happening to accommodate for every musical taste. It was evident, even then, that it was only a matter of time, before drum & bass would sell out big clubs and headline festivals across the world.
“What came first, the music or the obsession?”
This coming month is the sixth year anniversary since the blog went officially online. Three years ago I shared some thoughts here about how it all started, a retrospective account of the events that influenced the blog’s thematic basis, as well as a quick walk-through the blog’s various categories/series and a brief background story behind each one of them. A lot has changed since then, so I thought it would be apt to update regular and non-regular readers about the new direction, forthcoming features and what the future holds for this blog. Certain categories have completed their cycle, new have been added and some remain dormant until the right trigger or inspiration comes up.
from Kiel and Berlin to London and San Diego, cool has been re-imagined
“… ‘77’ seems a piece that has a rather elegant flow, something I always appreciated about d&b very much. Although this might not be a d&b release from a ‘genre-stalinist’ perspective, I’d still argue that it at least attempts to relate to that kind of aesthetic …” – Ulrich Schnauss
James Clements and Ulrich Schnauss in their studios
Leaping in time from the nostalgically distant 1994 and Foul Play to 2012 for the 10th installment of the ‘Tracks I Wish I’d Written’ series. It’s been a rare occasion that two of my all-time favourite electronic music artists have combined their studio wizardry for an exquisite collaboration, which succinctly encapsulates their cinematic aesthetics. Having a visionary and eclectic scope, sophisticated production and composition qualities, as well as enviable back catalogues transcending genres and styles, James Clements and Ulrich Schnauss are purveyors of fine electronic music.
This is the first installment of the blog’s new series “Tracks I Wish I’d Written”.
Every track that will be presented in the series has been hand-picked from my personal record collection and has had a profound impact on my musical taste. Featuring a variety of tracks across the electronic music spectrum, emphasizing mainly on drum and bass, from undisputed classics to underrated gems – all tracks I wish I’d written, as the title of the series clearly states.
The inaugural issue of the series is a track by Rupert Parkes; one of the most influential, prolific and iconic figures of drum and bass and electronic music in general. Continue reading