Returning to more familiar drum & bass territory and with an older demographic in mind, the third part of the extended ‘Liner Notes on 2022’ series features a selection of previously unreleased material, re-issues of classics, as well as brand-new music that directly relates to that kind of 90s aesthetic, bridging the gap between generations. A gap that emerged when physical music products were gradually moved to or even replaced by streaming services and the sacred act of perusing older relatives’ collections, reading liner notes or flipping through magazines suddenly became relics of the past. However, what until this point has seemed to be inter-generational irritations and antagonisms, has now evolved into warm appreciation of individuality and idiosyncrasy, on both sides – and brilliant music, too.
Continue reading “Liner Notes on 2022 – Part III (Extrapolations)”