Liner notes on 2020 – Part II

“It was my own countryside and I loved it with an intimate feeling, though all its associations were crude and incoherent. I cannot think of it now without a sense of heartache, as if it contained something which I have never quite been able to discover.” – Wardown Liner Notes With a slight delay, thisContinue reading “Liner notes on 2020 – Part II”

Sing me a line from your favourite song

“Ever get that feeling, when you experience some sort of musical epiphany and strive to memorize the melody and the lyrics of a song you have just listened to, before they‘re lost into the next morning’s haze?” This month is my blog’s 8th year anniversary and to be honest I’ve never expected to make itContinue reading “Sing me a line from your favourite song”

A Mermaid’s Dream: Inside J Majik’s Slow Motion LP

“The Luke Skywalker of Breakbeat. He is unbelievable, he is so talented. I’ve been watching him grow up in the last two years. I’ve seen him grow from this inquisitive street kid to that age where he’s humorous and simply enjoying life. I do feel like a big brother to him.” – Goldie on JContinue reading “A Mermaid’s Dream: Inside J Majik’s Slow Motion LP”

Tracks I Wish I’d Written (issue #15): Blocks & Escher – Broken

“All our music is there to capture the imagination and we were writing tunes so they could be listened to as whole pieces or stories, rather than dj tools. The idea of people interpreting the songs in different ways and creating their own narratives is really interesting to us”. ‘A good sample is worth aContinue reading “Tracks I Wish I’d Written (issue #15): Blocks & Escher – Broken”

On The Outside, Looking In Vol. 2: Justice x Dissect

“I think things are cyclical and in the advent of digital, people crave the physical” “And I think record collectors will always be buying vinyl and building a collection of good music, then passing on that knowledge to others who might not collect yet, because it’s great and fun and a way of life!” ThisContinue reading “On The Outside, Looking In Vol. 2: Justice x Dissect”

Liner notes on an exceptional musical year

“Sacrificing time, energy and money to keep an independent record label afloat in a niche and saturated market is a reality we often ignore or overlook, especially when it comes to investing on the vinyl format. So, I take the opportunity to thank all artists and record labels for gracing this year with their beautifulContinue reading “Liner notes on an exceptional musical year”

On The Outside, Looking In Vol. 1: Sicknote x Soul Beat Runner

Most of the blog’s features are thematically based on informal conversations with my guests. Although I often include verbatim excerpts, it’s been a long time since I posted an actual interview. This is the first installment of a new category introduced to replace one of the blog’s oldest series “Jump The Q”, which has unceremoniouslyContinue reading “On The Outside, Looking In Vol. 1: Sicknote x Soul Beat Runner”

Count To Ten: Drum & Bass Illustrations and Record Artwork (part 2)

What the sleeve notes never tell you It’s been 16 months since the original post , which was meant to be a one-off feature; however I always felt that it’s been somehow incomplete. The constructive feedback I received, occasionally bordering on debate over a matter de facto subjective, convinced me to revisit the topic; paraphrasingContinue reading “Count To Ten: Drum & Bass Illustrations and Record Artwork (part 2)”

Count To Ten: Cross-genre drum & bass remixes – part 2 (1997-99)

The second part of the blog’s mini-series covers the period 1997-99. What may have started timidly for artistic purposes or exclusive dj promotional use, by 1997 it became almost de rigueur for record labels to commission drum & bass versions for selected singles and various remix compilations. The niche underground genre infiltrated the mainstream andContinue reading “Count To Ten: Cross-genre drum & bass remixes – part 2 (1997-99)”

Count To Ten: Cross-genre drum & bass remixes – part 1 (1995-96)

This is the first part of a mini-series focusing on cross-genre drum & bass remixes; from subtle re-interpretations to complete re-constructions. The burgeoning d&b popularity in the mid-90s attracted media attention and interest from independent, as well as major record labels, which commissioned d&b remixes for their artists across the music spectrum; from post-punk andContinue reading “Count To Ten: Cross-genre drum & bass remixes – part 1 (1995-96)”