Tracks I Wish I’d Written (issue #18): Calibre – Hypnotise

“A song for a life I left behind”

Calibre - Hypnotise (SOULR016)

Calibre – Hypnotise (SOULR016, 2004)

When I started the ‘Tracks I Wish I’d Written’ series six years ago, I had an abstract vision in mind: to hand-pick, document and present sentimental music from my collection in an endeavor to unlock something magical, to capture that moment in time and that beautiful place, which are both tantalizingly at your fingertips, but seem always out of reach. The blog is mainly d&b-oriented, as is my record collection, so intuitively most installments feature drum & tracks, or to be more precise tracks loosely or directly related to the drum & bass template and aesthetic.

The next edition of the ‘Tracks I Wish I’d Written’ was in fact pencilled to feature at the start of the series, but somehow I didn’t feel confident enough or emotionally detached to talk about it, until now. It’s a track that gracefully reflects the arrogance and naivety of an earlier life, which I wasn’t quite ready to leave behind. Quoting Johnny Lee Miller’s character ‘Sickboy’ in Trainspotting 2: “Nostalgia. That’s why you’re here. You’re a tourist in your own youth”.

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Liner notes on 2019

“Forget the times ahead”

Mosaic

As another exceptional year for important things, like new wonderful music, draws to an end, I would like to take the opportunity once again to thank all artists and record labels for gracing this year with their beautiful music and safeguarding the art, the passion and the romance. Despite our culture of distraction and minimal attention span that seems hell-bent on burying new releases beneath an endless scroll and the convenience and luxury of streaming technology, the beauty of music transcends through time or media formats and listeners that are really into music are still paying attention.

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Liner notes on an exceptional musical year

“Sacrificing time, energy and money to keep an independent record label afloat in a niche and saturated market is a reality we often ignore or overlook, especially when it comes to investing on the vinyl format. So, I take the opportunity to thank all artists and record labels for gracing this year with their beautiful music and safeguarding the art, the passion and the romance”.

Mosaic

The last blog post of the year is traditionally a retrospective countdown. Though our culture of distraction and minimal attention span seems unrelenting on burying new releases beneath an endless scroll, 2018 has been exceptional for important things like new, fascinating music. From the establishment of new boutique record labels and classic album re-issues, to much-anticipated debuts, spectacular or dramatic comebacks, this year abounded with great music. My penchant for LPs was more than clear in the previous post, however I feel the urge to express it once again: Album writing has always been and still remains an art form. When you want to make a statement in music, you write an album and at the moment those statements are more exciting, varied and relevant than ever before.

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Count To Ten: Klute

Klute

Klute

A veteran producer, a prolific artist, a dexterous sonic fusioneer, a label owner and one of the most interesting figures in the drum and bass circuit Klute is the primary recording alias of Tom Withers.

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