On The Outside, Looking In Vol. 1: Sicknote x Soul Beat Runner

Most of the blog’s features are thematically based on informal conversations with my guests. Although I often include verbatim excerpts, it’s been a long time since I posted an actual interview. This is the first installment of a new category introduced to replace one of the blog’s oldest series “Jump The Q”, which has unceremoniouslyContinue reading “On The Outside, Looking In Vol. 1: Sicknote x Soul Beat Runner”

Count To Ten: Cross-genre drum & bass remixes – part 2 (1997-99)

The second part of the blog’s mini-series covers the period 1997-99. What may have started timidly for artistic purposes or exclusive dj promotional use, by 1997 it became almost de rigueur for record labels to commission drum & bass versions for selected singles and various remix compilations. The niche underground genre infiltrated the mainstream andContinue reading “Count To Ten: Cross-genre drum & bass remixes – part 2 (1997-99)”

Whatever happened to … Precious Material?

“… At Basement Records we also wanted the artists to sample as little as possible, to create pioneering and original material, hence the label title ‘Precious Material’. Some of the releases are produced in the studio and some are recorded live performances…”- Phil Wells reflects on the label’s ethos and purpose After a long hiatus,Continue reading “Whatever happened to … Precious Material?”