Liner notes on 2020 – Part II

“It was my own countryside and I loved it with an intimate feeling, though all its associations were crude and incoherent. I cannot think of it now without a sense of heartache, as if it contained something which I have never quite been able to discover.” – Wardown Liner Notes With a slight delay, thisContinue reading “Liner notes on 2020 – Part II”

Tracks I Wish I’d Written (issue #16): Bay B Kane – Seconds & Hours (Unfolding Perspective II)

“The words ‘Every second takes an hour’ explained perfectly the strange time-warp-like atmosphere in ‘The Fridge’; it was so easy to lose track of time in there. Then the next line ‘and each one seems the last’ illustrates that feeling of impending doom that I felt at the time …” I have been contemplating aContinue reading “Tracks I Wish I’d Written (issue #16): Bay B Kane – Seconds & Hours (Unfolding Perspective II)”

On The Outside, Looking In Vol. 2: Justice x Dissect

“I think things are cyclical and in the advent of digital, people crave the physical” “And I think record collectors will always be buying vinyl and building a collection of good music, then passing on that knowledge to others who might not collect yet, because it’s great and fun and a way of life!” ThisContinue reading “On The Outside, Looking In Vol. 2: Justice x Dissect”

Tracks I Wish I’d Written (issue #13): Odyssey – Expressions

Every track presented in the series has a special place in my collection and is associated with a different period of my life, hence the time leaps. Throwback to 1997 for the 13th installment of the Tracks I Wish I’d Written; a stellar classic with one of the genre’s most recognizable and revered lead synths,Continue reading “Tracks I Wish I’d Written (issue #13): Odyssey – Expressions”

Count To Ten: Cross-genre drum & bass remixes – part 2 (1997-99)

The second part of the blog’s mini-series covers the period 1997-99. What may have started timidly for artistic purposes or exclusive dj promotional use, by 1997 it became almost de rigueur for record labels to commission drum & bass versions for selected singles and various remix compilations. The niche underground genre infiltrated the mainstream andContinue reading “Count To Ten: Cross-genre drum & bass remixes – part 2 (1997-99)”

Count To Ten: Cross-genre drum & bass remixes – part 1 (1995-96)

This is the first part of a mini-series focusing on cross-genre drum & bass remixes; from subtle re-interpretations to complete re-constructions. The burgeoning d&b popularity in the mid-90s attracted media attention and interest from independent, as well as major record labels, which commissioned d&b remixes for their artists across the music spectrum; from post-punk andContinue reading “Count To Ten: Cross-genre drum & bass remixes – part 1 (1995-96)”

Savage Times: Inside Modern Urban Jazz

“… when I refer to the music now as d&b, I never really considered it much then. I know that may sound strange, but I think we always operated as outsiders; I personally always felt on the outside looking in, which is why our Glider-State track was called so…” “… I hadn’t done anything onContinue reading “Savage Times: Inside Modern Urban Jazz”

Count To Ten: Drum & Bass Illustrations and Record Sleeves

“… drawing a fine line between the sublime and the ordinary, the initial presentation criteria have been the aesthetic quality of the imagery, the nature of its production, the relationship to the music on the record and obviously my personal attachment …” Something completely different for the last post of 2016; instead of the musicContinue reading “Count To Ten: Drum & Bass Illustrations and Record Sleeves”

Tracks I Wish I’d Written (issue #7): UB40 – Until My Dying Day (Icons remix)

“Until My Dying Day was a tune UB40 had written, which was touted to be the theme for the latest Bond film at the time (GoldenEye) …” By the first half of the 90s, UB40’s constant touring had taken its toll and the band was ready for a well-earned rest. During their sabbatical, several ofContinue reading “Tracks I Wish I’d Written (issue #7): UB40 – Until My Dying Day (Icons remix)”

Metro – The “Ortem” Interview – Athens, January 2016

“Ortem is a platform, which will be the home of fresh tracks, overseen by Metro. The emphasis will be stationed around drum and bass and electronic music delivered in all its innovative forms” – taken from the label’s inaugural press release “A grid usually refers to two or more infinite sets of evenly-spaced parallel linesContinue reading “Metro – The “Ortem” Interview – Athens, January 2016”