“We’re trying to push the sounds that were around in the mid-1990s, but update them … We’re keen to bring back experimentation. I think it’s something that has been lost over the past ten years. You’ve got more and more dance-floor fodder coming out. Drum and bass became about the same people for too long. We’re well aware that in two years it won’t be our stuff that’s being played, it’ll be someone else’s. That’s what makes it healthy” – Guy Brewer, prior to a Commix set at Aperture, June 2008
This is the second installment of the blog’s new series “Tracks I Wish I’d Written”.
Every track that will be presented in the series has been hand-picked from my personal record collection and has had a profound impact on my musical taste. Featuring a variety of tracks across the electronic music spectrum, emphasizing mainly on drum and bass, from undisputed classics to underrated gems – all tracks I wish I’d written, as the title of the series clearly states.
Commix – Be True
The first feature of the series has been about a Photek production released in 1996. Making a leap in time and fast forward to 2007, the second issue is about a modern drum and bass classic; perhaps the most celebrated track from one of the most fascinating and talented drum and bass outfits of the last decade, Commix.
Wednesday evening, January 18th, 2012 around 22:00, outside Heathrow airport
It had been almost 2 years since the last time; however the smell, the blowing wind and the sense of euphoria every time he landed on that soil hadn’t changed a bit. He and his mates grabbed a cab to the hotel close to his old neighbourhood, checking impatiently their watches anxious to be on time for the last orders in the pub; not a second should be wasted. The schedule for the trip was really tight, too many things to do, too little time.
Friday afternoon, January 20th, 2013, somewhere in central London
A veteran producer and one of the most experienced artists in drum & bass, Darren White aka dBridge is an artist whose multiple transformations and evolutions glide through a staggering list of achievements. Over the course of a long and distinguished career, he has been at the heart of some the most exciting collaborative partnerships drum & bass has ever seen from Future Forces to Bad Company and most recently Club Autonomic. Forging a strong bond with Instra:mental, they showcased their Autonomic sound with an award-winning Fabriclive mix CD, worldwide tour and residencies for Fabric and Rinse FM. In 2011, dBridge returned the focus to his label Exit Records with the Mosaic Vol. 1 compilation and more artist LPs as he continues to be a mentor to the new breed of producers inspired by his career. As a solo artist, dBridge remains versatile with his own productions for Exit, Metalheadz, Reinforced, Hotflush and many more.
Although his love of music dates back much farther, Darren’s career began in earnest in 1992 when he moved to London to make music with and produce for his brother Steve (himself a successful solo artist and front-man for the group “Spacek”). Catching the buzz of the nascent rave scene along with his brother, he ventured out to club nights such as Roast and the Astoria and drew inspiration from the deep dubby tones of the Jah Shaka Soundsystem. Darren soon found himself working with UK hardcore group Armshouse Crew, the production posse responsible for Lennie De Ice’s proto-jungle anthem “We are I.E.” and began to master the synths and samplers that were the source of this new sound. Continue reading