Wednesday evening, January 18th, 2012 around 22:00, outside Heathrow airport
It had been almost 2 years since the last time; however the smell, the blowing wind and the sense of euphoria every time he landed on that soil hadn’t changed a bit. He and his mates grabbed a cab to the hotel close to his old neighbourhood, checking impatiently their watches anxious to be on time for the last orders in the pub; not a second should be wasted. The schedule for the trip was really tight, too many things to do, too little time.
Friday afternoon, January 20th, 2013, somewhere in central London
The last few years, drum and bass has achieved an unprecedented popular expansion, appealing to wider audiences and receiving support and radio airplay by many non-drum and bass djs and radio producers as well as hitting top spots in the music charts. Going in circles, from the early hardcore/breakbeat days to contemporary drum and bass, it has been one of the most interesting electronic music genres to follow. Influenced by a plethora of music genres, whether it is hip-hop, techno, soul or jazz, drum and bass covers a wide spectrum to satisfy everyone’s taste and preference. The drum and bass road however, hasn’t been always paved with roses. Every now and then a new injection of fresh sounds and production techniques has been pivotal to refresh people’s interest, as it has happened several times during the 90s. Fast Forward to 2009…
Minimal drum & bass and the Autonomic initiative
For several years in the second half of the past decade, drum and bass had been fairly stagnant, focusing on dance floor smashers. Minimal drum and bass, as the term suggests, is a sub-genre (one of too many nowadays) of drum and bass, stripping down the sound, diverting from the traditional forms without however ceasing to be drum and bass. The tempo remains generally close to the average drum and bass speed (around 170 bpm), however many other aspects of the music contrast highly with contemporary trends in drum and bass. One of the main attributes is a half-time drum rhythm, reducing the perceived speed, while staying to the same bpm. The drum production versatility is retained; quiet percussions, deep sub-bass, eerie synths, subdued melodies and unusual beats are often used, similar to dubstep and future garage productions, hence the confusion that inevitably takes place due to the human need to pigeonhole. Continue reading
Conceived by D&B visionary Kasra back in 2002, in a front room in north London, the Critical Music name has since blossomed into one of the most successful independent record labels in the UK today. Grown from a simple idea driven by a commitment to putting out the best music the scene has to offer, it has now become one of the most well respected electronic dance music labels in the UK. Nurturing new talent and releasing some of the freshest breaks and beats from the likes of Enei, Foreign Concept, Break, Rockwell, Sabre, Stray, Cyantific, Marcus Intalex, S.P.Y, Calibre, Total Science and many more, it has gone on to build a loyal following around the world driven on by Kasra’s never ending quest to release quality underground bass music.
Not only a record label, the Critical empire now boasts its own highly esteemed club nights with a residency at London’s world-renowned Fabric night spot, as well as regular branded Critical tour nights across the UK and abroad. Drawing in familiar faces from the world of D&B you can be sure each and every Critical event is programmed to perfection, with leagues of fans attending each one in abundance. Continue reading