“… hearing my track loud on a sound system, watching people’s reactions. That’s all you need as a producer. That’s pure approval right there. People loving what you make; it ‘s mission accomplished …”
MI5 – Experience (LSR020)
Throwback to 1995 for the 11th edition of the blog’s ‘Tracks I Wish I’d Written’ series. The artist name might not ring a bell at first glance; however behind this one-off recording guise has been one of the most influential and celebrated drum & bass producers of the mid-90s DJ Crystl. Combining old-school hip-hop breakbeat mechanics with ethereal sci-fi soundscapes, his productions have been paramount to the flourishing of ambient jungle. With a cinematic approach, collating and transcending contradictions – en vogue yet timeless, benign yet sinister, nuanced yet evident – Crystl has envisioned the soundtrack of imaginary film scenes.
“I work for the company. But don’t let that fool you; I’m really an okay guy.”
“A track that has stood the test of time and will still be a classic even if you wake up after a 57-years hypersleep”
‘Hypersleep’ record label
Celebrating the 20th anniversary since the seminal ‘Hypersleep’ first saw the light of day, a track written and produced by Voyager (the primary recording alias of Pete Parsons), the sixth installment of the blog’s “Tracks I Wish I’d Written” series is about the background story behind ‘Hypersleep’. Eloquently narrated in-depth by Parsons himself, an iconic figure of the drum and bass scene and one of the most respected and recognized producers and sound engineers, the story is a nostalgic and colourful account of the series of events that inspired and motivated him to write a timeless classic; a trip down memory lane capturing vividly the atmosphere of the mid-90s drum & bass scene.