Adrift in your very own strangely isolated place

“As musical cultures, I think ambient and drum & bass certainly find parallels in each other – they both loosely connect around personal freedom – be it euphoric or mindful, as genres they are similar in the emotions they elicit …” – Ryan Griffin

ASIP Full 2

In last year’s anniversary feature I had given a hint about expanding the blog’s scope to sporadic non-d&b material, essentially to music I love and enjoy, when I am not listening to drum & bass. The maxim is always the same: “I write about music I like, written by people I like”. My affinity for album covers, liner notes, film scores, ambient and modern electronica has been manifested in previous posts to the point of nausea. What I have not talked about yet though, is that I have often day-dreamt about my own vanity project, or becoming a glorified post-boy as a friend has playfully stated in a past interview here. The mechanics of creating a record label are easier than ever, however I guess that the ship has sailed for now. Counter-intuitively, one of the labels that has inspired me with their passion, meticulousness and visual aesthetics has not been covered on the blog yet and is far from what you have probably guessed. And that brings us to this month’s post. I have the privilege and pleasure to host Ryan Griffin, owner and curator of A Strangely Isolated Place, who shares his insight and narrates the background story of one of the most fascinating labels you are about to stumble upon.

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Liner notes on an exceptional musical year

“Sacrificing time, energy and money to keep an independent record label afloat in a niche and saturated market is a reality we often ignore or overlook, especially when it comes to investing on the vinyl format. So, I take the opportunity to thank all artists and record labels for gracing this year with their beautiful music and safeguarding the art, the passion and the romance”.

Mosaic

The last blog post of the year is traditionally a retrospective countdown. Though our culture of distraction and minimal attention span seems unrelenting on burying new releases beneath an endless scroll, 2018 has been exceptional for important things like new, fascinating music. From the establishment of new boutique record labels and classic album re-issues, to much-anticipated debuts, spectacular or dramatic comebacks, this year abounded with great music. My penchant for LPs was more than clear in the previous post, however I feel the urge to express it once again: Album writing has always been and still remains an art form. When you want to make a statement in music, you write an album and at the moment those statements are more exciting, varied and relevant than ever before.

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