Every track presented in the series has a special place in my collection and is associated with a different period of my life, hence the time leaps. Throwback to 1997 for the 13th installment of the Tracks I Wish I’d Written; a stellar classic with one of the genre’s most recognizable and revered lead synths, written and produced by one of drum & bass’ unsung heroes that captures elegantly a nostalgic time and place.
Odyssey – Expressions (720-002)
“… God bless the path of the musical children, walking the steps of change going forward-bound, our music’s taking you to higher ground …” – MC Conrad
“Musically it’s the same button we’ve been pressing since day one, trying to find that particular and delicate place between sadness and hope. We rarely find it, exactly, but we come close sometimes. It’s like what they say about jazz players, always trying to find the ‘lost chord’ …” – Interview for UKF, November 2016.
Blu Mar Ten Album Covers
A common trait among music fans is their ability to recollect little details regarding their musical icons. A series of coincidences and seemingly unrelated events acquire a whole different gravity in hindsight. Although I firmly believe in the maxim “Don’t meet your heroes”, happily enough, meeting Blu Mar Ten has been a distinct exception to the rule and I feel quite honoured to have known them in person and consider them friends.
I accidentally discovered Blu Mar Ten in 1996 and I have closely followed their musical career path ever since. Their sophisticated approach, art and literature connotations, eclectic taste and cinematic aesthetics have never ceased to amaze me. Celebrating the 20th anniversary of their discography debut, Blu Mar Ten recently released their 7th studio album entitled ‘Empire State’. What follows is a retrospective, but not exhaustive account of their career from my biased perspective, emphasizing on releases, which I have associated with fond memories and have had a profound impact on me; an array of reminiscences printed on vinyl grooves. Browsing through my record collection, I also present my personal highlights from each LP, instead of a track-by-track review, trying also to deduce and identify their creative influences. This is essentially my own perception and an attempt to capture the essence of the album narratives, which is completely arbitrary and probably nowhere near Blu Mar Ten’s actual vision and purpose. Nonetheless, I believe that the value of an artistic product is to create different emotions, thoughts and interpretations.
“A passion for music that gradually escalated over time into a controlled obsession”
It has been three years since this blog went online, although its conception goes further back, so I eventually decided it’s about time I shared some thoughts about how it all started, as well as provide a retrospective account of the events that influenced the blog’s thematic basis. At the end of the feature, there is a quick walk-through the blog’s various categories/series and a brief background story behind each one of them.
“I’m not a big believer in magic. But this place is different. It’s special. The others don’t want to talk about it because it scares them. But we all know it. We all feel it … But what if everything that happened here, happened for a reason? … That’s impossible … I looked into the eye of the island, and what I saw … was beautiful.”
Lost TV series, Season 1, Episode 5 “White Rabbit”, aired October 2004
Future Engineers – Eden
This is the fourth installment of the blog’s “Tracks I Wish I’d Written” series. Every track that is presented here has been hand-picked from my personal record collection and has had a profound impact on my musical taste. Featuring a variety of tracks across the electronic music spectrum, emphasizing mainly on drum and bass, from undisputed classics to underrated gems, all are tracks I wish I had written, as the title of the series implies.
The fourth issue is about a modern classic by Future Engineers (Lee Batchelor & Keir Kleminson); the outfit that re-designed the atmospheric drum and bass blueprint in the second half of the 90s, borrowing from the immediacy of techno, without neglecting their trademark musicality. Continue reading
Secret Operations is an eclectic record label launched in 1999 by the prolific Swedish drum and bass artist Sebastian Ahrenberg, widely known to the electronic music circles as Seba, but it was not until 2004 that the label picked up pace with a consistent release schedule. The label was named after the homonymous club nights hosted by Seba himself at a basement bar called Tuben (Tube) during the second half of the 90s in Stockholm, Sweden. To the time of writing, Secret Operations has released 19 singles, one compilation entitled Case One, which was the inaugural release of the label featuring various artists alongside Seba, as well as Seba’s second personal album entitled Identity that has been recently released to critical acclaim.
Godisnolongeradj caught up with Lee Batchelor of Future Engineers in Athens after his gig, to discuss his new Exhale compilation on his own imprint Transference Recordings and all things Future Engineers, starting from day one.
The third installment of the series is dedicated to the short-lived but highly influential label Partisan Recordings, established as one of the most innovative outlets of cutting-edge drum and bass in the late 90s. The purpose of this article is to shed light on the high impact of the label on the drum and bass landscape of the late 90s, having been the creative home of some of the most prominent drum and bass artists of that time.
History and label set-up
In the late summer of 1997 and after legal wrangling with Moving Shadow’s head honcho, five key members of the Moving Shadow managing staff resigned from their posts, namely: Caroline Butler (Label Manager at Moving Shadow Records), Sean O’Keeffe (aka Deep Blue and Art Director at Moving Shadow also), Simon Colebrooke (of 2 Bad Mice and A&R Director – responsible for the recruitment of all artists), Paul Rhodes (of 2 Bad Mice also – Label Assistant) and Gavin Newman (Label Assistant); essentially the entire staff aside from Rob Playford.