“I work for the company. But don’t let that fool you; I’m really an okay guy.”
“A track that has stood the test of time and will still be a classic even if you wake up after a 57-years hypersleep”
‘Hypersleep’ record label
Celebrating the 20th anniversary since the seminal ‘Hypersleep’ first saw the light of day, a track written and produced by Voyager (the primary recording alias of Pete Parsons), the sixth installment of the blog’s “Tracks I Wish I’d Written” series is about the background story behind ‘Hypersleep’. Eloquently narrated in-depth by Parsons himself, an iconic figure of the drum and bass scene and one of the most respected and recognized producers and sound engineers, the story is a nostalgic and colourful account of the series of events that inspired and motivated him to write a timeless classic; a trip down memory lane capturing vividly the atmosphere of the mid-90s drum & bass scene.
“.. the name (Ancestral Voices) comes from the idea that knowledge and wisdom are passed down aurally, sonically, and experientially into our time for us to learn the laws of Nature …” – excerpt from an Ancestral Voices interview for XLR8R
Ancestral Voices is the side-project of British producer Liam Blackburn. Widely known in the electronic music circles for his solo outputs under his primary recording alias Indigo, as well as his collaborative work with Synkro for the acclaimed hybrid electronic outfit Akkord, Blackburn created Ancestral Voices to be a musical platform exempt from genre restrictions, formulaic constraints, expectations and musical agendas.
With prior releases on prestigious labels like Exit, Auxiliary, Apollo, Samurai Red Seal and Samurai Horo among others, as well as being affiliated with producers and label owners, who share the same musical ethos and vision, Ancestral Voices didn’t have to look elsewhere for a creative home. In fact, his long-term relationship with Geoff Wright (DJ Presha), the label owner of Samurai Music, who used to be Blackburn’s agent and later his mentor, provided him with the artistic freedom to re-invent his sound; hence Ancestral Voices found his natural habitat on Wright’s pristine experimental label Samurai Horo.
“ … a contemporary take on 80’s aesthetics, analogue synthesizers, flamboyancy and neon lights; a diverse canvas of nostalgia, audacity, luminescence, aspects and aspirations …”
Back To The Future poster
Beastie Respond is the recording alias of Danish producer Tobias Pedersen. He made his discography debut in 2011 for the bass music label Teal Recordings. After two singles on Teal, he released his sophomore personal album entitled “Fictitious Nostalgia” in 2013. Effortlessly oscillating between genres and styles, from electro and techno to experimental 85/170 electronica and drum and bass, drawing from a wide palette of musical influences (from the cinematic likes of Brian Eno and John Carpenter to the dark melancholy of The Cure to the minimalism and genre-defiance of the Autonomic movement), his talents were readily picked up by forward-thinking labels like Exit, CX Digital and Demand for a string of fine guest appearances; the highlight being the track “One More Second”, which was selected for the second volume of the critically acclaimed “Mosaic” series, released by dBridge’s Exit Records.
“… I never set out to achieve something particular. I was listening to lots of electronic music when I first started writing my own, and for completely selfish reasons I wanted to create something that I enjoy myself. Something I felt was missing. I still feel like that. That and the acknowledgement I get for my work is what keeps me going. Career-wise I take it as it comes. I don’t want to change anything in my music to put myself in a better financial situation … ” – Beastie Respond reflecting on the beginning of his musical career
The next guest featuring in the blog’s Jump The Q series, sharing some interesting and funny personal trivia, is Danish producer Tobias Pedersen aka Beastie Respond. After taking a short break from writing music, re-inventing his sound and developing his studio techniques, Tobias re-emerged recently ever so creative with the “Back To The Future EP“; a throwback to 80’s aesthetics and nostalgia, with a modern twist. Artist profile and biography, discography highlights, extensive review of his latest EP, as well as social media links are available in the section right after the Q&A.
“Intrigue came about from a desire to put on liquid funk nights in Bristol and showcase our sound. After a few years it developed into a record label, which was something I’d wanted to do since getting into production back in 2000.” – Ben Payne
The fifteenth installment of the blog’s “Count To Ten” series is dedicated to one of Bristol’s finest drum & bass outlets Intrigue Music. The brainchild of Ben Payne, Intrigue has been an integral part of the Bristol drum & bass landscape. Named after the successful eponymous club night in Bristol, which in turn was inspired by Fabio’s famous “Swerve” nights in London (hence Intrigue Music has been arguably considered as the natural successor of Creative Source), the label’s inaugural release saw the light of day in 2009, however its conception dates back to 2003. Continue reading
“Abandon all hope, ye who enter here”
“… A haunting sci-fi lullaby that quickly escalates to the soundtrack of the worst nightmare…”
The Descent – Chapter II
“The Descent” is the discography debut of Pact Infernal, a new production outfit hidden behind a veil of anonymity and mystery. Inspired from and thematically based on the epitome of medieval literature “Divine Comedy”, written by the poet Dante Alighieri in the 14th century, the theme title (‘The Descent’) is an implicit reference to Dante’s allegoric narrative of his epic journey through the underworld, guided by the spirit of the eminent Roman poet Virgil.
Although it could qualify as a full studio album around the aforementioned theme, the release has been split into two chapters (EPs) and consists of nine tracks equivalent to the nine circles of hell, as described vividly in the “Inferno”, which is the first part of the “Divine Comedy” trilogy (the other two parts being ‘Purgatory’ and ‘Heaven’ respectively). The first chapter (Circles I to IV) was released to public and critical acclaim on April 2015, whereas the second and final chapter (Circles V to IX) is due on March 2016. Both chapters have been licensed to the exquisite outlet of experimental bass music Samurai Horo.
My friend Ricky Law @ Drumtrip UK, recorded a fine mix paying tribute to one of my all-time favourite artists Hidden Agenda, featuring a plethora of classics, as well as underrated gems like “Get Carter”, “Sirens” and “The Wall With Paintings” remixes.
Biography, discography highlights, reviews and all things Hidden Agenda are available in the blog’s archive here
You may read the original post on Drumtrip here
An older Q&A with Law, from the blog’s archives, is available here