Tracks I Wish I’d Written (issue #18): Calibre – Hypnotise

“A song for a life I left behind”

Calibre - Hypnotise (SOULR016)

Calibre – Hypnotise (SOULR016, 2004)

When I started the ‘Tracks I Wish I’d Written’ series six years ago, I had an abstract vision in mind: to hand-pick, document and present sentimental music from my collection in an endeavor to unlock something magical, to capture that moment in time and that beautiful place, which are both tantalizingly at your fingertips, but seem always out of reach. The blog is mainly d&b-oriented, as is my record collection, so intuitively most installments feature drum & tracks, or to be more precise tracks loosely or directly related to the drum & bass template and aesthetic.

The next edition of the ‘Tracks I Wish I’d Written’ was in fact pencilled to feature at the start of the series, but somehow I didn’t feel confident enough or emotionally detached to talk about it, until now. It’s a track that gracefully reflects the arrogance and naivety of an earlier life, which I wasn’t quite ready to leave behind. Quoting Johnny Lee Miller’s character ‘Sickboy’ in Trainspotting 2: “Nostalgia. That’s why you’re here. You’re a tourist in your own youth”.

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Songs for the misfits: Inside Klute’s ‘Whatever It Takes’ LP

‘Whatever It Takes’ is a phrase I’ve been saying to myself over the last few years, when I despair with manipulative behaviour, in the face of what seems to be happening in the current climate of media/consumer culture; the lengths that people will go to, the things that they will do to get attention or change people’s opinions. Often people will do whatever it takes to get noticed.

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Klute – Whatever It Takes (SUICIDELP20)

I firmly believe that if you want to make a statement in music, you write an album and at the moment those statements are as relevant and interesting as ever. There are still artists that invest time and effort working on well-considered, profound narratives and multi-layered album concepts. Some get it right effortlessly, some lose the plot mid-way and others end up with a collection of selected works. It doesn’t matter anyway; the merit of album writing as an art form is to evoke different emotions and interpretations, unveiling beauty and truth in due course. Despite the convenience and luxury of streaming technology, the beauty of music transcends through time or media formats and listeners that are really into music are still paying attention.

Last year, Klute featured on the blog’s ‘Tracks I Wish I’d Written’ series and revealed that his 9th album was already in the making.  Fast forward eleven months later and his new LP titled ‘Whatever It Takes’ is finally released tomorrow (October, 25th). A certified album artist with a rare consistency that spans more than two decades, Klute has opted for full-lengths as a platform of artistic expression, although he could get away with releasing a string of singles for pretty much any label he deemed fit.  His latest album is a distraction, refuge and personal remedy from the white noise and hysteria of his surroundings and encapsulates the artistic maturity and versatility of an artist that has defied trends, formulas and genre confines. Renowned for his unique talent to instil a multitude of influences in his productions, from his punk/hardcore origins to techno, house and dub, Klute’s broad repertoire abounds with incredibly inspirational music.

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