Every track presented in the series has a special place in my collection and is associated with a different period of my life, hence the time leaps. Throwback to 1997 for the 13th installment of the Tracks I Wish I’d Written; a stellar classic with one of the genre’s most recognizable and revered lead synths, written and produced by one of drum & bass’ unsung heroes that captures elegantly a nostalgic time and place.
Odyssey – Expressions (720-001)
“… God bless the path of the musical children, walking the steps of change going forward-bound, our music’s taking you to higher ground …” – MC Conrad
“… when I refer to the music now as d&b, I never really considered it much then. I know that may sound strange, but I think we always operated as outsiders; I personally always felt on the outside looking in, which is why our Glider-State track was called so…”
“… I hadn’t done anything on Modern Urban Jazz since the ‘Emotions With Intellect’ LP, so to keep the ethos going, we decided that this would be an ideal collaboration by using the Modern Urban Jazz tag on the Creative Wax label. I don’t think either of our labels had been ones to follow trends and certainly at the time we were ripe for a more experimental sound…”
Modern Urban Jazz front cover (CWLP001, 1997)
Modern Urban Jazz 01 is a seminal compilation album, curated by Tony Justice Bowes and published by Creative Wax. Celebrating the 20th anniversary of the official release, this is a retrospective account of the series of events that culminated in the realization of a brilliant project, which transcends genres and time. Titled after Justice’s eponymous record label, the compilation shares similar aesthetics and musical direction. An amalgamation of sounds with allusions to musique concrete; jazz noir, hip hop, funk, techno and electro instilled into drum & bass, with all contributing artists showcasing their musical backgrounds and creative influences, free of formulas, dancefloor reaction and genre constraints. Walking down a long, nostalgic and captivating trip down memory lane, this is a colourful and emotionally charged narrative, through the protagonists’ looking glass, filled with fond and distant memories that capture vividly the atmosphere of the mid-90s drum & bass scene.
With a history that goes hand in glove with that of the development of drum & bass and jungle itself, Tony Bowes, aka Justice, has consistently spearheaded new musical forms. He is very much instrumental in the birth of drum & bass and is heralded as one of the true pioneers.
Raised in Luton, Justice began producing at the age of 17 with friend Conrad Shafie (aka Blame). The two met while studying media at college in Dunstable, and went into the studio in 1991 to try their hand at producing hip-hop tracks. Instead, they emerged with Death Row – one of the earliest examples of hardcore breakbeat – on Chill Records, a UK bass, bleeps and breakbeat label which was based in his home town of Luton.
While the rave scene progressed into a self-parodic fluff, Blame and Justice continued producing, both together and on their own. Pushed into new directions by the emergence of a mellower, atmospheric sound in the drum and bass spectrum, the duo formed Modern Urban Jazz Records. Continue reading