“… I can’t understand those musicians who make the most beautiful music, but show little care or attention for the visual side. It’s like stuffing a Rembrandt painting inside a £5 plastic frame from IKEA …”
36 – Fade To Grey
The ‘Tracks I Wish I’d Written’ series is perhaps the most personal, preferential and esoteric category of the blog. The title is self-explanatory and the concept straightforward. I hand-pick records from my collection – records I am fondly attached with and I wish my name was credited on the sleeve – and present them emphasizing on the background stories, the imagery and the messages the music conveys.
When I started the series, I had in mind a set of restrictions, a self-imposed dogma in order to confine the scope. The blog is mainly d&b-oriented, as is my record collection, so intuitively all previous instalments featured drum & tracks, or to be more precise tracks loosely or directly related to the drum & bass template and aesthetic. The concept has been captured eloquently by Ulrich Schnauss in the opening line of the 10th edition of the series:
‘77’ seems a piece that has a rather elegant flow, something I always appreciated about d&b very much. Although this might not be a d&b release from a ‘genre-stalinist’ perspective, I’d still argue that it at least attempts to relate to that kind of aesthetic…
Every track presented in the series has a special place in my collection and is associated with a different period of my life, hence the time leaps. Throwback to 1997 for the 13th installment of the Tracks I Wish I’d Written; a stellar classic with one of the genre’s most recognizable and revered lead synths, written and produced by one of drum & bass’ unsung heroes that captures elegantly a nostalgic time and place.
Odyssey – Expressions (720-002)
“… God bless the path of the musical children, walking the steps of change going forward-bound, our music’s taking you to higher ground …” – MC Conrad
“… hearing my track loud on a sound system, watching people’s reactions. That’s all you need as a producer. That’s pure approval right there. People loving what you make; it ‘s mission accomplished …”
MI5 – Experience (LSR020)
Throwback to 1995 for the 11th edition of the blog’s ‘Tracks I Wish I’d Written’ series. The artist name might not ring a bell at first glance; however behind this one-off recording guise has been one of the most influential and celebrated drum & bass producers of the mid-90s DJ Crystl. Combining old-school hip-hop breakbeat mechanics with ethereal sci-fi soundscapes, his productions have been paramount to the flourishing of ambient jungle. With a cinematic approach, collating and transcending contradictions – en vogue yet timeless, benign yet sinister, nuanced yet evident – Crystl has envisioned the soundtrack of imaginary film scenes.
“I made this tune at the request of my old friend Stephen Bradshaw aka “Braddie” RIP from Foul Play. I’m honored to be part of his musical legacy & to know what it has meant and still means to some many over the years” – Denise Gordon
From left to right: Steve Gurley, Steve Bradshaw, Denise Gordon, John Morrow. Picture taken from the back cover of Foul Play Vol. 4, photography by NSL.
Throwback to 1994, the 9th installment of the blog’s ‘Tracks I Wish I’d Written’ series is about a seminal record, written and produced by Foul Play; one of UK’s most respected and influential jungle/d&b acts. Heralding the transition from hardcore to jungle/drum & bass, the fourth volume of their recording series includes two tracks that have transcended time: ‘Being With You’, one of the genre’s most celebrated anthems, which is still being played to date (Om Unit and Doc Scott included it in their sets during their recent gigs in Athens) and ‘Music Is The Key’, one of the genre’s most lyrical and emotionally charged vocal tracks.
Sunday evening and is about time for the ritual. Holding a cup of coffee and a few hours to spare, it is undoubtedly his favourite part of the week. Time to check the new releases!
First task is to open the notepad where the wish-list is written down and check if everything from the previous week has been crossed out. Apparently not, there are too many new releases to follow nowadays, let alone he always comes up with an old tune worth finding and spare time isn’t unlimited. Although there is no longer a problem in terms of actual or virtual space (no more carton boxes full of records in every part of the house and hard discs’ capacity has increased over the years to accommodate every need), experience has taught that a few gigabytes of free disc space should be available at any time. Continue reading