Count To Ten: Cross-genre drum & bass remixes – part 2 (1997-99)

The second part of the blog’s mini-series covers the period 1997-99. What may have started timidly for artistic purposes or exclusive dj promotional use, by 1997 it became almost de rigueur for record labels to commission drum & bass versions for selected singles and various remix compilations. The niche underground genre infiltrated the mainstream and many d&b producers signed with major labels to curate collections or record personal albums. On reflection, it turned out to be a double-edged sword.

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On one hand, d&b found its well-deserved place on the electronic music map. Artists were finally rewarded and vindicated for their efforts and their work was introduced from a limited connoisseur circle to a wider audience, providing them with a vital and creative space for experimentation. Commercial success and critic appreciation motivated accomplished, as well as up-and-coming producers to master their craft, pushing the musical boundaries beyond genre confines. On the other hand, the roller coaster of media exposure, politics, cloudy distribution and licensing agreements, self-indulgence and the drama that inevitably occurs when money and temporary fame enter the equation, terminated careers and friendships untimely and ingloriously. Effectively, drum & bass re-entered a phase of introversion, darkness and belligerence marking the end of the romance. An injection of fresh air was desperately needed and a new breed of producers and record labels emerged to fill in the gap created by those who helped the scene flourish, but sadly realized that they no longer fitted in the d&b reality of the new millennium.

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“What came first, the music or the obsession?” – Part 2

“We’re suddenly in a period when it’s de rigueur to buy records” – Alan Scholefield, Honest Jon’s Records, London

… but those clerks are still there, still sneering at your bad choices, offering you an understated but supportive raise of the eyebrow for your good ones.” – Nick Hornby, writer

“There was always interesting music playing, but I was too timid to actually buy a record, you know, in case I bought the wrong record” – Damon Albarn, musician, singer-songwriter

Chapter 2: Record Stores

At different times in my life, I have daydreamt about owning a record store. These days however, running one seems like a first class ticket to financial disaster. Apart from the obvious incentives, including satisfaction of my vanity and intimidation of unsuspected customers (Jack Black’s portrayal of an erratic assistant in “High Fidelity” has brilliantly set the bar too high), I have very fond childhood memories from my casual visits with my dad to the local record stores in the late 80s. I still remember a particular owner slipping mix-tapes in the bag for my school parties (an early form of piracy I guess, but this is for another chapter). I was exposed at a very young age to various musical genres, which I regrettably snubbed or simply ignored, due to immaturity and stubbornness. Very late at the party, but after a long time I gradually started to appreciate and embrace various genres and styles.

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Law (drumtrip.co.uk) Jumps The Q

A mini-interview with 22 short questions (some personal, some tricky) looking for equally short answers, addressed to artists, producers, promoters, djs, friends and affiliates of the blog in general.

The next international guest featuring in the Jump The Q series of the blog is Dj Law; an old school specialist, the mastermind and curator of drumtrip.co.uk, sharing some personal trivia with the blog. A short bio, information about Drumtrip and respective links can be found below the Q&A.

Drumtrip

Drumtrip

Law Jumps The Q

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Nymfo Jumps The Q

A mini-interview with 22 short questions (some personal, some tricky) looking for equally short answers, addressed to artists, producers, promoters, djs, friends and affiliates of the blog in general.

Today Nymfo Jumps the Q

Nymfo 2

Nymfo

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Count To Ten: Nymfo

Nymfo

Nymfo

Intro:

A prolific drum and bass artist and a dexterous dj, with bookings all around the globe, Nymfo is the recording alias of Bardo Camp. Hailing from Netherlands and currently based in Amsterdam, Nymfo has been creating serious waves in the international drum and bass scene, since his inaugural release in 2007. Fast forward to 2013, Nymfo has cemented his reputation as an innovative and versatile producer, covering a wide range in the drum and bass spectrum.  With numerous production outputs under his belt, on some of the most prominent drum and bass labels, as well as dj sets at the world’s most prestigious venues, the future seems ever brighter.

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Harris (Funxion, I Got Bass) Jumps the Q

A mini-interview with 22 short questions (some personal, some tricky) looking for equally short answers, addressed to artists, producers, promoters, djs, friends and affiliates of the blog in general.

Today’s guest is one of the original Greek bass soldiers, active for more than two decades in the domestic and international proceedings, sharing some personal trivia with the blog. A short bio and relative links can be found below the Q&A.

 Harris (Funxion, I Got Bass) Jumps the Q
Harris Funxion

Harris Funxion

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D Base Athens Jumps The Q

A mini-interview with 22 short questions (some personal, some tricky) looking for equally short answers, addressed to artists, producers, promoters, djs, friends and affiliates of the blog in general.

Today D Base Athens Jumps the Q

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D Base presents Submission

Let’s get started:

Set 1: The man behind the mask

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