Tracks I Wish I’d Written (issue #17): 36 – Fade To Grey

“… I can’t understand those musicians who make the most beautiful music, but show little care or attention for the visual side. It’s like stuffing a Rembrandt painting inside a £5 plastic frame from IKEA …”

Fade To Grey

36 – Fade To Grey

The ‘Tracks I Wish I’d Written’ series is perhaps the most personal, preferential and esoteric category of the blog. The title is self-explanatory and the concept straightforward. I hand-pick records from my collection – records I am fondly attached with and I wish my name was credited on the sleeve – and present them emphasizing on the background stories, the imagery and the messages the music conveys.

When I started the series, I had in mind a set of restrictions, a self-imposed dogma in order to confine the scope. The blog is mainly d&b-oriented, as is my record collection, so intuitively all previous instalments featured drum & tracks, or to be more precise tracks loosely or directly related to the drum & bass template and aesthetic. The concept has been captured eloquently by Ulrich Schnauss in the opening line of the 10th edition of the series:

‘77’ seems a piece that has a rather elegant flow, something I always appreciated about d&b very much. Although this might not be a d&b release from a ‘genre-stalinist’ perspective, I’d still argue that it at least attempts to relate to that kind of aesthetic…

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Adrift in your very own strangely isolated place

“As musical cultures, I think ambient and drum & bass certainly find parallels in each other – they both loosely connect around personal freedom – be it euphoric or mindful, as genres they are similar in the emotions they elicit …” – Ryan Griffin

ASIP Full 2

In last year’s anniversary feature I had given a hint about expanding the blog’s scope to sporadic non-d&b material, essentially to music I love and enjoy, when I am not listening to drum & bass. The maxim is always the same: “I write about music I like, written by people I like”. My affinity for album covers, liner notes, film scores, ambient and modern electronica has been manifested in previous posts to the point of nausea. What I have not talked about yet though, is that I have often day-dreamt about my own vanity project, or becoming a glorified post-boy as a friend has playfully stated in a past interview here. The mechanics of creating a record label are easier than ever, however I guess that the ship has sailed for now. Counter-intuitively, one of the labels that has inspired me with their passion, meticulousness and visual aesthetics has not been covered on the blog yet and is far from what you have probably guessed. And that brings us to this month’s post. I have the privilege and pleasure to host Ryan Griffin, owner and curator of A Strangely Isolated Place, who shares his insight and narrates the background story of one of the most fascinating labels you are about to stumble upon.

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