“The words ‘Every second takes an hour’ explained perfectly the strange time-warp-like atmosphere in ‘The Fridge’; it was so easy to lose track of time in there. Then the next line ‘and each one seems the last’ illustrates that feeling of impending doom that I felt at the time …”
Rise Of The Phoenix EP, WYHS040, 1995
I have been contemplating a Bay B Kane blog feature for years. I had even drafted several sketches, but for one reason or another they remained buried in my digital archive. So, in that sense, the 16th edition of the “Tracks I Wish I’d Written” is long overdue. I was recently listening back to Bay B Kane’s ‘Rise Of The Phoenix EP’, when my daughter playfully asked me about the vocal sample. That was the trigger to finally pay my respects to one of the true pioneers, who heralded the transition from hardcore to jungle; a master manipulator of breaks and samples from the most unusual sources (from hip hop and obscure techno to art rock and pop) and whose musical contribution should be sung really louder.
“… drawing a fine line between the sublime and the ordinary, the initial presentation criteria have been the aesthetic quality of the imagery, the nature of its production, the relationship to the music on the record and obviously my personal attachment …”
Drum & Bass Record Sleeves
Something completely different for the last post of 2016; instead of the music per se, the next installment of the blog’s ‘Count To Ten’ series is dedicated to artwork design, an essential aspect of the physical product. The size and tactile experience of the record sleeve is one of the reasons why vinyl records remain the most enjoyable way to listen to music. The recent vinyl resurgence has rekindled the art of the record layout. Whether it’s hand-made or mass-produced, meticulously arranged or spontaneously created, the cover artwork adds a literal dimension to the music that a digital thumbnail simply cannot replicate.
Essence Of Aura
The sixth installment of the “Whatever happened to…?” series is dedicated to a highly influential music trio; one of the pioneering electronic music bands that came from hardcore beginnings, progressed through jungle techno to drum and bass and has been active throughout the first half of the 90s. Despite their short-lived career, the trio released timeless classics along the way, before they finally disbanded in 1996.
Essence Of Aura, referred to also as EOA onwards, were formed in late 1990, originally based in Kenilworth, UK before moving to Coventry in 1992. The founding members have been Tim Grantham (DJing, Management and Production responsibilities) Ian Scott (Sampling and Production) and James Mitton-Wade (Production, Programming and Engineering duties for all EOA tracks).
Wednesday evening, January 18th, 2012 around 22:00, outside Heathrow airport
It had been almost 2 years since the last time; however the smell, the blowing wind and the sense of euphoria every time he landed on that soil hadn’t changed a bit. He and his mates grabbed a cab to the hotel close to his old neighbourhood, checking impatiently their watches anxious to be on time for the last orders in the pub; not a second should be wasted. The schedule for the trip was really tight, too many things to do, too little time.
Friday afternoon, January 20th, 2013, somewhere in central London