On The Outside, Looking In Vol. 2: Justice x Dissect

“I think things are cyclical and in the advent of digital, people crave the physical”

“And I think record collectors will always be buying vinyl and building a collection of good music, then passing on that knowledge to others who might not collect yet, because it’s great and fun and a way of life!”

This is the second installment of the blog’s new series titled On The Outside, Looking In. As the title suggests, it is a retrospective sneak view into my guests’ photo albums, collections, musical diaries, hazy memories and internal monologues. The discussion timeline is non-linear, jumping back and forth in times and places, as it would probably be in a real-time conversation with friends, whose music-related work I admire and respect. The concept of interviewing my guests in pairs has been intriguing and thought-provoking, trying to find out how their paths have periodically intersected and eventually converged through music: from rented studio time in the early 90s to custom-made studios and modern production, from raves in warehouses and sweaty basements to transatlantic tours and remixing punk priestess Siouxsie (well, that’s a story for another day), from tape packs and pirate radio to record fairs, eclectic record collections, running boutique record labels in 2019 and everything in-between.

Justice & Dissect

Justice & Dissect

The head title of the series has been inspired from the first Modern Urban Jazz release by Glider-State (Blame & Justice), so it is with great joy that I present the man himself Tony ‘Justice’ Bowes alongside one of the most interesting figures of the new generation of producers Michael ‘Dissect’ Walsh.

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MJAZZ presents The Modernists

The Modernists vol 1-4

The Modernists vol 1-4

The Modernists is a highly acclaimed, collectible, limited edition, compilation series project released by the forward-thinking Modern Urban Jazz (MJAZZ) label. To the time of writing The Modernists series consists of four volumes (official release date of the 4th volume is the 22nd of July, 2013), featuring mainly artists and affiliates of the MJAZZ collective. An eclectic cross-genre selection, covering a wide palette of electronic bass music, from techno to deep drum and bass, with clear electro, house and hip-hop influences, every volume seems to be pushing the music boundaries even further.

Limited to strictly 100 copies per installment, with hand finished artwork and stickers or badges included, every release is a collectible; an approach that seems to be becoming more popular within drum and bass, rendering every physical copy unique and individual.

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