Count To Ten: Cross-genre drum & bass remixes – part 2 (1997-99)

The second part of the blog’s mini-series covers the period 1997-99. What may have started timidly for artistic purposes or exclusive dj promotional use, by 1997 it became almost de rigueur for record labels to commission drum & bass versions for selected singles and various remix compilations. The niche underground genre infiltrated the mainstream andContinue reading “Count To Ten: Cross-genre drum & bass remixes – part 2 (1997-99)”

Count To Ten: Cross-genre drum & bass remixes – part 1 (1995-96)

This is the first part of a mini-series focusing on cross-genre drum & bass remixes; from subtle re-interpretations to complete re-constructions. The burgeoning d&b popularity in the mid-90s attracted media attention and interest from independent, as well as major record labels, which commissioned d&b remixes for their artists across the music spectrum; from post-punk andContinue reading “Count To Ten: Cross-genre drum & bass remixes – part 1 (1995-96)”

Savage Times: Inside Modern Urban Jazz

“… when I refer to the music now as d&b, I never really considered it much then. I know that may sound strange, but I think we always operated as outsiders; I personally always felt on the outside looking in, which is why our Glider-State track was called so…” “… I hadn’t done anything onContinue reading “Savage Times: Inside Modern Urban Jazz”

Whatever happened to … Precious Material?

“… At Basement Records we also wanted the artists to sample as little as possible, to create pioneering and original material, hence the label title ‘Precious Material’. Some of the releases are produced in the studio and some are recorded live performances…”- Phil Wells reflects on the label’s ethos and purpose After a long hiatus,Continue reading “Whatever happened to … Precious Material?”

Tracks I Wish I’d Written (issue #2): Commix – Be True

“We’re trying to push the sounds that were around in the mid-1990s, but update them … We’re keen to bring back experimentation. I think it’s something that has been lost over the past ten years. You’ve got more and more dance-floor fodder coming out. Drum and bass became about the same people for too long.Continue reading “Tracks I Wish I’d Written (issue #2): Commix – Be True”

Whatever happened to … Foul Play?

The seventh installment of the “Whatever happened to …?” series is dedicated to Foul Play; a pioneering, genre-defining and innovative electronic music act, heralding the transition from hardcore breakbeat to jungle/drum and bass. Being active almost throughout the 90s (the band’s synthesis changed twice during its activity, due to unforeseen circumstances) constantly re-inventing themselves, withContinue reading “Whatever happened to … Foul Play?”

Whatever happened to … Creative Wax?

The second installment of the series is dedicated to one of the most influential labels of the jungle/drum and bass scene. From the early hardcore days to the second half of the 90s, Creative Wax fostered an enviable stable of producers and artists, releasing a plethora of classics during its activity. The mix-up of DetroitContinue reading “Whatever happened to … Creative Wax?”