Tracks I Wish I’d Written (issue #11): MI5 – Experience

“… hearing my track loud on a sound system, watching people’s reactions. That’s all you need as a producer. That’s pure approval right there. People loving what you make; it ‘s mission accomplished …”

LSR020 - MI5 - Experience

MI5 – Experience (LSR020)

Throwback to 1995 for the 11th edition of the blog’s ‘Tracks I Wish I’d Written’ series. The artist name might not ring a bell at first glance; however behind this one-off recording guise has been one of the most influential and celebrated drum & bass producers of the mid-90s DJ Crystl. Combining old-school hip-hop breakbeat mechanics with ethereal sci-fi soundscapes, his productions have been paramount to the flourishing of ambient jungle. With a cinematic approach, collating and transcending contradictions – en vogue yet timeless, benign yet sinister, nuanced yet evident – Crystl has envisioned the soundtrack of imaginary film scenes.

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Tracks I Wish I’d Written (issue #4): Future Engineers – Eden

“I’m not a big believer in magic. But this place is different. It’s special. The others don’t want to talk about it because it scares them. But we all know it. We all feel it … But what if everything that happened here, happened for a reason? … That’s impossible … I looked into the eye of the island, and what I saw … was beautiful.”

Lost TV series, Season 1, Episode 5 “White Rabbit”, aired October 2004

Future Engineers – Eden

This is the fourth installment of the blog’s “Tracks I Wish I’d Written” series. Every track that is presented here has been hand-picked from my personal record collection and has had a profound impact on my musical taste. Featuring a variety of tracks across the electronic music spectrum, emphasizing mainly on drum and bass, from undisputed classics to underrated gems, all are tracks I wish I had written, as the title of the series implies.

The fourth issue is about a modern classic by Future Engineers (Lee Batchelor & Keir Kleminson); the outfit that re-designed the atmospheric drum and bass blueprint in the second half of the 90s, borrowing from the immediacy of techno, without neglecting their trademark musicality. Continue reading