Count To Ten: Justice (Modern Urban Jazz, Moving Shadow, Creative Wax)

MJAZZ

With a history that goes hand in glove with that of the development of drum & bass and jungle itself, Tony Bowes, aka Justice, has consistently spearheaded new musical forms. He is very much instrumental in the birth of drum & bass and is heralded as one of the true pioneers.

Raised in Luton, Justice began producing at the age of 17 with friend Conrad Shafie (aka Blame). The two met while studying media at college in Dunstable, and went into the studio in 1991 to try their hand at producing hip-hop tracks. Instead, they emerged with Death Row – one of the earliest examples of hardcore breakbeat – on Chill Records, a UK bass, bleeps and breakbeat label which was based in his home town of Luton.

While the rave scene progressed into a self-parodic fluff, Blame and Justice continued producing, both together and on their own. Pushed into new directions by the emergence of a mellower, atmospheric sound in the drum and bass spectrum, the duo formed Modern Urban Jazz Records. Continue reading

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Justice (Modern Urban Jazz) Jumps the Q

A mini-interview with 22 short questions (some personal, some tricky) looking for equally short answers, addressed to artists, producers, promoters, djs, friends and affiliates of the blog in general.

Today Justice (Modern Urban Jazz head honcho) Jumps the Q

MJAZZ

Let’s get started:

Set 1: The man behind the mask

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Cryogenics (Haunted Science, Audio Theory Records, Spaceal Orbeats, Kraak Records) Jumps the Q

Jump the Q

A mini-interview with 22 short questions (some personal, some tricky) looking for equally short answers, addressed to artists, producers, promoters, djs, friends and affiliates of the blog in general.

Today Cryogenics (Haunted Science, Audio Theory Records, Spaceal Orbeats, Kraak Reecords) Jumps the Q

Image

Haunted Science Radio Show

Let’s get started:

Set 1: The man behind the mask

Continue reading

Blu Mar Ten Jump the Q

Jump the Q

A mini-interview with 22 short questions (some personal, some tricky) looking for equally short answers, addressed to artists, producers, promoters, djs, friends and affiliates of the blog in general.

Today Chris Marigold of Blu Mar Ten Jumps the Q

Blu Mar Ten

Let’s get started:

Set 1: The man behind the mask

Continue reading

Memoirs Of a Vinyl Junkie – part 2

Vinyl

Tuesday morning, October 1993

09:50

He is staring anxiously at the classroom clock counting the nanoseconds. It’s almost 10 and in about an hour or so the boxes with the new releases at the record store downtown are bound to open. There is no way he can make it before 2, unless he skips the last hour at school. He already knows that’s exactly what he is going to do.
The guy behind the counter had promised him that the tunes he was searching for the last weeks would be included in those boxes. It was not the first time the guy made such a promise just to get rid of him, but it didn’t worth the risk. He had to be there in person; phone-calls were never effective. Everybody, who has been at a record store more than twice, can tell a story about a record in a shelf already reserved for a radio producer, a dj or a mate of the store owner.
His impatience was intensified by the fact that every Tuesday morning all the big dogs of the scene would be there. He was a bit intimidated by them and the fact that they always had priority over him to listen to the tunes in the private booth was a bit frustrating. He could not spend as much as they did, as his only resource was his weekly allowance, so their priority status, however irritating it was, actually made sense.

13:10

He enters the record store which is already packed and many familiar faces are already searching the shelves and discussing with the guys behind the counter. There is a queue on the decks where one can hear a preview of a record before he can buy it. He heads directly to the jungle/breakbeat section. He knows that the possibility to find on the shelves the records he was looking for is much greater than to find them behind the counter. He’s right! Two records of the list are already there along with a couple of promos he should definitely check out. He picks them all up and visits the other sections waiting for a slot in the private booth. Continue reading