Beastie Respond Jumps The Q

“… I never set out to achieve something particular. I was listening to lots of electronic music when I first started writing my own, and for completely selfish reasons I wanted to create something that I enjoy myself. Something I felt was missing. I still feel like that. That and the acknowledgement I get for my work is what keeps me going. Career-wise I take it as it comes. I don’t want to change anything in my music to put myself in a better financial situation … ” – Beastie Respond reflecting on the beginning of his musical career

Beastie Respond

Beastie Respond

The next guest featuring in the blog’s Jump The Q series, sharing some interesting and funny personal trivia, is Danish producer Tobias Pedersen aka Beastie Respond. After taking a short break from writing music, re-inventing his sound and developing his studio techniques, Tobias re-emerged recently ever so creative with the “Back To The Future EP“; a throwback to 80’s aesthetics and nostalgia, with a modern twist. Artist profile and biography, discography highlights, extensive review of his latest EP, as well as social media links are available in the section right after the Q&A.

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Kimyan Law Jumps The Q

Blu Mar Ten Music

Blu Mar Ten Music

“We release music we like made by people we like.”- Blu Mar Ten on the ethos of their label

Intro:

After experimentation with various electronic music genres, two non-d&b studio albums and a string of drum and bass releases on a wide array of prestigious labels, Blu Mar Ten marked their glorious comeback to familiar musical paths with the establishment of their own imprint Blu Mar Ten Music (BMTM) in 2009. The label was initially set to accomodate for their own material and Blu Mar Ten released two studio albums in the next two years, entitled Natural History and Love Is The Devil respectively. They also commissioned a multi-part remix series to augment both projects, with contributions from established artists across the scene, achieving critical acclaim and remarkable chart success.  Continue reading