On The Outside, Looking In Vol. 2: Justice x Dissect

“I think things are cyclical and in the advent of digital, people crave the physical”

“And I think record collectors will always be buying vinyl and building a collection of good music, then passing on that knowledge to others who might not collect yet, because it’s great and fun and a way of life!”

This is the second installment of the blog’s new series titled On The Outside, Looking In. As the title suggests, it is a retrospective sneak view into my guests’ photo albums, collections, musical diaries, hazy memories and internal monologues. The discussion timeline is non-linear, jumping back and forth in times and places, as it would probably be in a real-time conversation with friends, whose music-related work I admire and respect. The concept of interviewing my guests in pairs has been intriguing and thought-provoking, trying to find out how their paths have periodically intersected and eventually converged through music: from rented studio time in the early 90s to custom-made studios and modern production, from raves in warehouses and sweaty basements to transatlantic tours and remixing punk priestess Siouxsie (well, that’s a story for another day), from tape packs and pirate radio to record fairs, eclectic record collections, running boutique record labels in 2019 and everything in-between.

Justice & Dissect

Justice & Dissect

The head title of the series has been inspired from the first Modern Urban Jazz release by Glider-State (Blame & Justice), so it is with great joy that I present the man himself Tony ‘Justice’ Bowes alongside one of the most interesting figures of the new generation of producers Michael ‘Dissect’ Walsh.

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Metro – The “Ortem” Interview – Athens, January 2016

Ortem is a platform, which will be the home of fresh tracks, overseen by Metro. The emphasis will be stationed around drum and bass and electronic music delivered in all its innovative forms” – taken from the label’s inaugural press release

“A grid usually refers to two or more infinite sets of evenly-spaced parallel lines at particular angles to each other in a plane, or the intersections of such lines”

Ortem 2

Ortem

Metro is the primary recording alias of Scott London. I have been following his production output since day one; from his collaborative work with long-time friend and recording partner Justice for Modern Urban Jazz and its subsidiary Muj for downtempo, breaks and broken beats to his regular appearances on a wide array of affiliated record labels.

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