“Love and other tragedies are recurring themes in the series. Whoever thought that d&b is cold, emotionless and monotonous music, clearly haven’t been paying attention…”
I realize that the series read like another generic countdown list, however there are deeper connotations to me. It’s a retrospective musical diary; a timeline that reflects and documents what I’ve been listening to in various periods of my life. Over time, my militant musical views have – thankfully – attenuated and I’ve come to embrace and appreciate a broader musical spectrum. Hence, all the producers who feature on the series are artists that have resonated with me and have steered away from rigid, formulaic corners.
The third part of the mini-series covers the period 2000-09. At the dawn of the new millennium the majors had turned their backs to drum & bass and adopted a more chart-friendly policy. The halcyon days seemed abruptly over, artists turned almost overnight from media darlings to pariahs and the music press headlines proclaimed the death of the genre. But drum & bass was too cool for that. After a short period of introspection and re-invention, d&b returned stronger than ever. A new wave of artists and record labels pushed the musical boundaries beyond genre confines and soon d&b regained its well-deserved place in the electronic music map; from a limited connoisseur circle to a global audience, from sweaty basements and midweek slots to headlining club main stages and festivals.
“We’re trying to push the sounds that were around in the mid-1990s, but update them … We’re keen to bring back experimentation. I think it’s something that has been lost over the past ten years. You’ve got more and more dance-floor fodder coming out. Drum and bass became about the same people for too long. We’re well aware that in two years it won’t be our stuff that’s being played, it’ll be someone else’s. That’s what makes it healthy” – Guy Brewer, prior to a Commix set at Aperture, June 2008
This is the second installment of the blog’s new series “Tracks I Wish I’d Written”.
Every track that will be presented in the series has been hand-picked from my personal record collection and has had a profound impact on my musical taste. Featuring a variety of tracks across the electronic music spectrum, emphasizing mainly on drum and bass, from undisputed classics to underrated gems – all tracks I wish I’d written, as the title of the series clearly states.
Commix – Be True
The first feature of the series has been about a Photek production released in 1996. Making a leap in time and fast forward to 2007, the second issue is about a modern drum and bass classic; perhaps the most celebrated track from one of the most fascinating and talented drum and bass outfits of the last decade, Commix.
Creative Source was launched in 1995 by Fabio and has released to the time of writing 60 singles, 2 compilations compiled and mixed by Fabio himself (Liquid Funk vol 1 & 2) as well as a double album by Calibre entitled Musique Concrete. Focusing mainly on the jazzier, mellower side of the drum and bass spectrum, the label has fostered a creative space for some of the greatest artists in the scene. It has been inactive since 2010, however a re-launch is highly anticipated.
In strict chronological order ten of Creative Source’s finest moments are demonstrated below: Continue reading