Count To Ten: Cross-genre drum & bass remixes – part 2 (1997-99)

The second part of the blog’s mini-series covers the period 1997-99. What may have started timidly for artistic purposes or exclusive dj promotional use, by 1997 it became almost de rigueur for record labels to commission drum & bass versions for selected singles and various remix compilations. The niche underground genre infiltrated the mainstream andContinue reading “Count To Ten: Cross-genre drum & bass remixes – part 2 (1997-99)”

Savage Times: Inside Modern Urban Jazz

“… when I refer to the music now as d&b, I never really considered it much then. I know that may sound strange, but I think we always operated as outsiders; I personally always felt on the outside looking in, which is why our Glider-State track was called so…” “… I hadn’t done anything onContinue reading “Savage Times: Inside Modern Urban Jazz”

Count To Ten: Drum & Bass Illustrations and Record Sleeves

“… drawing a fine line between the sublime and the ordinary, the initial presentation criteria have been the aesthetic quality of the imagery, the nature of its production, the relationship to the music on the record and obviously my personal attachment …” Something completely different for the last post of 2016; instead of the musicContinue reading “Count To Ten: Drum & Bass Illustrations and Record Sleeves”

Justice (Modern Urban Jazz) Jumps the Q

A mini-interview with 22 short questions (some personal, some tricky) looking for equally short answers, addressed to artists, producers, promoters, djs, friends and affiliates of the blog in general. Today Justice (Modern Urban Jazz head honcho) Jumps the Q Let’s get started: Set 1: The man behind the mask