On The Outside, Looking In Vol. 2: Justice x Dissect

“I think things are cyclical and in the advent of digital, people crave the physical”

“And I think record collectors will always be buying vinyl and building a collection of good music, then passing on that knowledge to others who might not collect yet, because it’s great and fun and a way of life!”

This is the second installment of the blog’s new series titled On The Outside, Looking In. As the title suggests, it is a retrospective sneak view into my guests’ photo albums, collections, musical diaries, hazy memories and internal monologues. The discussion timeline is non-linear, jumping back and forth in times and places, as it would probably be in a real-time conversation with friends, whose music-related work I admire and respect. The concept of interviewing my guests in pairs has been intriguing and thought-provoking, trying to find out how their paths have periodically intersected and eventually converged through music: from rented studio time in the early 90s to custom-made studios and modern production, from raves in warehouses and sweaty basements to transatlantic tours and remixing punk priestess Siouxsie (well, that’s a story for another day), from tape packs and pirate radio to record fairs, eclectic record collections, running boutique record labels in 2019 and everything in-between.

Justice & Dissect

Justice & Dissect

The head title of the series has been inspired from the first Modern Urban Jazz release by Glider-State (Blame & Justice), so it is with great joy that I present the man himself Tony ‘Justice’ Bowes alongside one of the most interesting figures of the new generation of producers Michael ‘Dissect’ Walsh.

Continue reading

Advertisements

Savage Times: Inside Modern Urban Jazz

“… when I refer to the music now as d&b, I never really considered it much then. I know that may sound strange, but I think we always operated as outsiders; I personally always felt on the outside looking in, which is why our Glider-State track was called so…”

“… I hadn’t done anything on Modern Urban Jazz since the ‘Emotions With Intellect’ LP, so to keep the ethos going, we decided that this would be an ideal collaboration by using the Modern Urban Jazz tag on the Creative Wax label. I don’t think either of our labels had been ones to follow trends and certainly at the time we were ripe for a more experimental sound…” 

Modern Urban Jazz

Modern Urban Jazz front cover (CWLP001, 1997)

Modern Urban Jazz 01 is a seminal compilation album, curated by Tony Justice Bowes and published by Creative Wax. Celebrating the 20th anniversary of the official release, this is a retrospective account of the series of events that culminated in the realization of a brilliant project, which transcends genres and time. Titled after Justice’s eponymous record label, the compilation shares similar aesthetics and musical direction. An amalgamation of sounds with allusions to musique concrete; jazz noir, hip hop, funk, techno and electro instilled into drum & bass, with all contributing artists showcasing their musical backgrounds and creative influences, free of formulas, dancefloor reaction and genre constraints. Walking down a long, nostalgic and captivating trip down memory lane, this is a colourful and emotionally charged narrative, through the protagonists’ looking glass, filled with fond and distant memories that capture vividly the atmosphere of the mid-90s drum & bass scene.

Continue reading

Whatever happened to … Essence Of Aura?

Essence Of Aura

Essence Of Aura

Intro:

The sixth installment of the “Whatever happened to…?” series is dedicated to a highly influential music trio; one of the pioneering electronic music bands that came from hardcore beginnings,  progressed through jungle techno to drum and bass and has been active throughout the first half of the 90s. Despite their short-lived career, the trio released timeless classics along the way, before they finally disbanded in 1996.

Essence Of Aura, referred to also as EOA onwards, were formed in late 1990, originally based in Kenilworth, UK before moving to Coventry in 1992. The founding members have been Tim Grantham (DJing, Management and Production responsibilities) Ian Scott (Sampling and Production) and James Mitton-Wade (Production, Programming and Engineering duties for all EOA tracks).

Continue reading